12.16.2004

BIG BAD.



u wouldn't know it by looking at me but beneath this cool veneer i feel so amped up, brimming over with emotions...like a sad pop song played on fuzzy guitar or a punchbowl from a dead relative that u can't bare to fill with anything except whatever happens to land in there by accident--melted birthday candles, a rusty bottle opener with a cracked handle, a spare set of keys--bills you don't plan on ever opening...


bear bair bare

i want to straddle u

undo yr belt and pull down yr pants

and do u while yr dancing in la-la land with me...

i see a starscape in yr eyes

as it rises over the city...

i see the flickering shadows

cast by the sad stories

that other people trust u with...

i've decided that water is the cure for everything before it starts

like this tickle in my lungs. im gonna flood that shit out.

hey 'green loogie' would be a cool name for a kid's punk band...

like the kind that would be on a sitcom episode. silver spoons or some 80s wildly capitalistic shit like that.

those reagan years were dark days. i was too young to get the details but i got the vibe.

these days are darker.




yes, i'm aware that writing like this

with these broken-up sentences and these extra spaces between the lines does not constitute poetry.

i just like the way it looks.

but going deeper, i write like this cuz i'm constantly tracing the arc of my own thought patterns...which directly effects my ability/disability to type.

in other words i get sick of what im doing so i hit space

either that or im excited for what's next and hit space to get closer to it.

plus i like it to look like lyrics

especially the kind written by someone whose attention span

was clipped short by endless hours of mtv at an early age

(cuz u know im secretly a rock star)





anyways i gotta give it up to my big bad boy, anti. i got my boring blook from hell last friday and it's the sheeeet, mahn. it looks so, so good. of course i'd already read everything in it when it was first online but it looks amazing to see it in print. the layout and everything. there's a big b&w pic of my boy on the back cover (nice stubble) and on the cover a super-duper close-up, over-saturated pic of a fat ass hit. on the binding (which is very professional and not at all cheap and falling apart like i thought it would be) it says 'a stoner's blog turned hardcopy'.

i really like how the blog url is nowhere to be seen. nor are there credits or thank-us or a title page for that matter. or a fuckin, 'about the author' wank-off page. page one is a post, the last page is a post...they're headed by a date--no pix. just text, one post after another...it totally reads like a real book--only better, cuz anti can actually write.

i gave the book to a chick who really hates reading things on a computer screen and has therefore spent little to no time reading blogs. but she's read like, everything else in the world...in several languages. hey, she said, after thumbing through a couple pages, i like this guy. then she proceeded to read several of his posts out loud in her german accent.

lemme tell ya i got such major kicks out of that.

i sat there on the edge of my bed listening with my head cocked. it was a pretty wild experience--i was hearing the words of one friend through the voice of another. both of whom happen to be smart and funny and highly-observant as well as cynical and uncertain and confident, all at the same time.

it occured to me--it's not about country or creed...it's about being a certain kind of person...

damn, i thought. maybe there's a fabulous future in store for all of us afer all?

maybe it's really going to happen.

...all this from something called a blook. jamie and i were wondering about how it was going to look and what one could do with their blog as a book that they could hold in their hands. we didn't come to any conclusions, but agreed that it would be cool just to have it, and we were both excited to get a copy of anti's. jamie said he was waiting to order it until he could work out a plan so that anti could sign it. oh yeah, i said, cuz of course i want him to write something in my copy as well. but i placed my order when that shit was still 17.27. werd to the nerds.

so i guess i just have to go out to LA and get that shit signed in person.

whaddya say annnnnnnni?

as'd ifhsdfia'

(man i'll tell u im just in a state of flux right now...it's not good and it's not bad, just like in the song. it's just dense, yo...and complicated. i mean, it's deep when this blog feels like an anchor in the silvery swimmmmmmming sea)

life's rich pageant.

rockwitit.




peace.











12.15.2004

idle hands are the devil's playthings.

the devil's playthings are the devil's playthings...






12.10.2004

"falsegirl"



trueboy


i'll be yr mirror

i'll be yr plastic toy...



u be my blog.






tony pierce





12.05.2004




i think that if i ever get rich and famous i'll still do my own laundry.


for a while i dropped it off with this lady, then i had her coming over and cleaning up after me too.

talk about losing perspective...

she'd come over at 8AM to find me doing lines off the kitchen table, eating doritos and drinking heineken as i counted the money i'd made the night before.

i liked to take each bill and press all the creases out of it before placing it neatly on the appropriate pile.

the cleaning lady would stand in the middle of the room with her coat on and stare at me as i haphazardly and unsuccessfully tried to cover up what i was doing. she listened as i went on about how i was "extremely concerned" about the birdshit splattered across the bedroom windows. and the grout in between the bathroom tiles...what could be done to get that to be a perfect white--not an off-white or almost white, but a pearly, heaven-sent white? she nodded and looked down at the floor while i spoke. i really could care less about any of those things but i thought that by taking a tone i might seem like a together kinda gal and less like the fraudulent waster that i was.

when i was done talking she nodded her head and got straight to work. it turned out she could really care less too.

the one person she hated, though, was fitz. it started right away, the first time she saw him she made tisking sounds under her breath as he flamed-out about something. she made us coffee and practically shoved the cup at him.

"hello?" he called out, his voice syrupy-sweet.

"may i have cream instead of milk for my coffee? i believe there's some on the door of the fridge...could you bring it to me, por favor?"

"i am not spanish," the woman said, clearly offended.

"my language is arabic," she said, shaking with anger.

"oh yeah?" fitz said, narrowing his eyes.

"well you're in new york now, sweetheart. you'd better hurry up and learn spanish."





mcdonald's in canada.





12.03.2004




My edges might be raw and bleeding but deep down in my tootsie roll center im rather old fashioned.

Sex means something to me. So does friendship.

My definition of sex is a shared activity between two or more people during which at least one of them cums.

(it's similar to my definition of soda which is something that fizzes when u shake it.)

My definition of friendship is when i decide for someone.

That means that no matter what i'll keep all their secrets and get their back in a fight, and i won't hate them if they get piss drunk and break into my apartment when im asleep and secretly take a piss in the bathroom sink.

it means i'll give them money for a ticket to seattle even though i think it's a bad idea.

it means that when the food comes i won't slap their hand away if they reach for something on my plate

"help yrself," i'll say to them.

(and cuz we're friends i won't even have to say it out LOUD)

it means i'll keep silent and won't ruin the ending for them...

it means that just one minute in their arms is enough


it means that no distance is too far.

i can walk down that road forever...





11.30.2004

The song is real but the group is not.



F-1 b/w Pirelli
1/00
Villeneuve
Paris, France


We wrote this song for a scene in a movie called Sterling Fassbinder. In the scene, a girl named Nora speeds down an American highway in a red Ford Mustang with the top down, blasting Serge Gainsbourg's song of the same name out of a boombox stuck to the dashboard with ducktape. Nora smokes Gitanes and can barely sit still enough to drive. She is the very zenith of dyke style with her freshly washed, dazzling white wifebeater, grey suit trousers, and oversized Tag Heur watch that hangs loosely from her slender wrist. On her face are Cutler & Cross tortoise shell shades with burnt umber lenses that keep her world in perpetual sunset. Her greasy dark blond hair blows all over the place: she is the European playing the part of the classic American drifter. The wind makes her nipples hard. They seem disproportionately large in comparison to her small, hard breasts. F-1 starts playing when Nora pulls over to pick up a girl who will turn out to be Sterling Fassbinder. She is waiting there, in the middle of nowhere with an army green duffel bag--a sleepy, sad boy-dyke under a wide screen expanse of late morning blue sky patched-up with big, fluffy clouds. When they meet everything else becomes interchangeable...they could be on any highway, on any country, on any planet...it wouldn't matter. The stark inevitability of the fuck strips it of all romanticism, leaving behind the hard kernal of animal lust. Nora's broken and heavily (German) accented English is punctuated by bouts of giddy, hysterical laughter. She is trying to explain how she feels like a man with a man's desires and then a woman and then a man again. Not too different from this song, I think."





11.28.2004

Dear {insert friend's name here},



i made this iMix 4 u:

belle and Sebastian “i fought in a war”…here’s a mix i made to explain to you where i’m at in this post-9/11 and post-fraudulent historical moment. this long, Night of the Living Un-Ironic that we’ve been suffering through. by putting this song on first, i’m layin out the hope that this highly idealistic and slightly introspective collection of tunes can cut thru the bullshit and give it to you the way it really feels, so u know how i’ve been shakin thru my days and have been too busy fighting the windmills of my mind to call or drop u a line...

straight up, tho--i’m a huge belle and Sebastian fan. gotta love a bunch of pasty, thirty-something scots who write songs from the perspectives of lonely teenagers. i saw them when they played prospect park last year. i bought a tea towel with the band’s name on it. it’s a map of Scotland with icons depicting the major industries in each area. it’s the kind of thing you’d find in a school textbook, which is probably where they got it from...lots of bottles with a W on them and black cows lying down in patches of grass…

massive attack “unfinished sympathy”....this song is totally off-the-hook dramatic—it’s the perfect mix of house melody and hip-hop beats. the toy piano kills me every time…this song always takes me back to the damp, dark year that i lived in england. i used to bring down the house with this when i djed around oxford. i think this group is one of the coolest that ever came out of that country. they’ve got that deep voiced, leather pant swagger like the animals, or the rolling stones in the late sixties, when they danced around on drugs with their shirts open and their skinny white chests out for all the world to see. incidentally, during the gulf war the bbc banned massive attack records because of their name. “You’re the book that I have opened, and now I need to know much more”--it’s crazy that years later the lyrics are more relevant to me than they ever were.

mix master mike “fur coat”… this guy’s on my top ten djs of all time list. absolutely. i so totally sweat how he incorporates his own distinctive style to everything he does—that lurching psych-rock, skate-punk, orange soda, drive-thru movie thang. the way he switches back and forth between beats is hypnotic. mix master mike is from the California in MY MIND. i don’t know if he really is from out there, but his shit’s the very ESSENCE of what i fantasize the west coast to be about. i’ve said it before—sometimes i feel like my future lies out there…i’ll make a new start, with a new name…btw, this is about the point in the mix when you spark up the american beauty, if you haven’t already. ya know—catch a fire, bun a dun, pass the dutchie from the left hand side…whatevs.

my bloody valentine “sometimes”…when i first heard this it was on a cassette i bought used and i thought the tape was fucked up. i was pissed, but something told me not to shut it off and by the time this song came on i realized it was supposed to sound that way. it’s funny because now, nearly ten years later, i’m still listenin to that shit and it’s beyond me to even FATHOM how i could have ever thought anything was wrong. each note sounds perfect to me—perfectly placed, executed and produced, like a miles davis track…

i don’t care who you like or what kind of music yr into--everyone should own the album loveless.

cream “badge”…in my mind, this song plays during the crucial scene in the best movie ever, which has yet to be made but includes a Buick Riviera and winding rain-coated, suburban streets, complete with blue streetlights and piles of beautiful, multicolored fake leaves in the gutter…

the song kicks in the exact second the protagonist turns off her headlights and then cuts the engine as she rolls incognito into a gravel covered parking lot, looking this way and that, straining her eyes, tryin to see if there’s anything out there…



interpol “leaf erikson”…brooklyn scenesters, but a serious cut above the rest--and they dress well. i know it’s awfully nostalgic of me, but i prefer my musicians hip. this entire album is brilliant. it was the first thing i listened to that really felt like young new york after 9/11…all that jaded longing that comes after the greatest tragedy of your time leaves you unscathed and strangely unaffected.

the rolling stones “miss you”… “i guess i’m lyin to myself…it’s just you and no one else…” man, mick jagger sounds so incredible when he sings that line…like he’s overcome with longing and he finally can’t take it anymore. he’s stopped his swagger and fallen to his knees.



the walkmen “138th street”… this song is a lament to a long lost friend, and for me, the sentiment extends also to a certain time and group of people…i went to college with these guys and their infamous ex-lead singer, who was the same year as me. back in the day they were jonathan fire*eater, and everyone who knew them knew they were going to be famous. stewart, the lead singer, was especially charismatic. he had that thing—call it a look or a cinematic glow or something. maybe it was the smack, which he couldn’t stop using. i knew some of his friends but not him, not really. they showed me the poetry he banged out on his dirty typewriter (so that the ‘e’s and ‘u’s had ink smeared in their open spaces) and i was too awestruck by what i read to say much more than, ‘hi’. for all his rock star antics, it seemed like he was shy, too—although maybe that’s just me, projecting. he wrote about johnny cash and children in huge, old cars and floating lipstick kisses and southern daughters, jesus and telephone wires…all motifs i intended to steal, as soon as i got far enough away from that school and from him. anyway, jonathan fire*eater were hard at work payin their fuckin dues, going on shitty mini-tours in a van and playing the 3AM slot at the continental, among other dives, until suddenly and unexpectedly the steven spielberg mega-label dreamworks came round and offered them a million dollar contract. they signed, accompanied by a music press hoopla that designated them as the next big thing…a year later they were broken up, the contract and their friendships were in shambles and the album that was to end all albums was only so-so. was it the hype? the money? the pressure to bring it? who knows. like i said, they weren’t my friends. i was just nearby, at the party… a face in the crowd. all i know is that stewart escaped from rehab and left the tristate area for several years, during which time the rest of the band reformed as the walkmen. i think they wrote this song about him.


elliott smith “needle in the hay”…the royal tenenbaums is a great flick and the suicide scene when this song plays is really beautifully filmed. the fact that elliott smith actually killed himself recently (by stabbing himself in the chest) adds a level of poignancy, but when all is said and done you can’t deny that it’s a great song, in and of itself.

the clash “straight to hell”… i tell this story about myself, in which i’m conceived while the clash are playing. i’ve told it so often i almost believe it myself. this was the first clash song i ever heard. to me, it always has been and always will be perfect. not even as a song anymore, but as a way of being—and i’m not talking about the trajectory of literally going straight to hell, although i guess that plays into it too: “Water froze, in the generation. Clear as winter ice. This is your paradise. There ain’t no need fer ya. (There ain’t no need fer ya.)”

earth, wind and fire “that’s the way of the world”…i bought this off an iMix by crystal method. the one dude described it as a beautiful song and it was enough for me…so you see it works, this whole selling individual tracks as parts of a whole. btw, the dude was RIGHT. the song IS beautiful.



portishead “glory box”…this group specialized in making music for films that didn’t exist. it was a bunch of dudes and this patrician looking, straight-haired lady as a lead singer, who belted out songs of love, lust and loss…there was definitely something hot about her looking so repressed and singing so slutty…there are lots of little details on a portishead track—like samples of imperfections in records, or a needle pop used as percussion…

i like when u can get lost in details, as u dream yrself the star on the big screen of yr mind…


public enemy “by the time i get to Arizona”… chuck d once said that hip-hop was a certain feeling—an expression of the angst one has at being born onto the so-called “wrong” team of life. this ‘hip-hop feeling’ wasn’t limited only to rap. according to him, nirvana was just as much hip-hop as public enemy—both groups were raw and in yr face and unapologetic. it made an impression on me, when I heard him say that, and although i agree with him about that feeling, “by the time i get to arizona” IS the kind of hip-hop track that makes you realize just how incredibly ELECTRIFYING the form can be when presented at its PUREST level. beat is for yoko ono, beat is for sonny bono, but “by the time i get to Arizona” is one of those songs that a certain segment of the population remembers exactly where they were and what they were doing when they first heard it. i was on the highway in new jersey, in the back seat of this guy’s car, stuffed like sardines with other people from my high school. it was winter, we had on puffy jackets and the windows were fogged. i remember he had a digital speedometer and the dashboard glowed blue green as he pumped this through his thousand dollar system (which was a fuck lot of money when yr 15 and broke)…i’ve always been a PE fan but DAMN. talk about music that makes yr nipples hard—how about that break down in the middle with the chorus of screaming and the dark, subterranean beats?…shit, PE’s producers weren’t called the bomb squad for nothin’…we drove thru back roads and projects, and i wrote the name i used then in big bubble letters on the window…a short while later there was the mtv video that got banned, cuz it depicted the members of the group acting out an assassination on the governor of Arizona.


crosby, stills, nash and young “ohio”…as a little girl i loved to listen to music with my father up in the attic that was his office. it was one of my favorite things to do. records, 8-track and cassettes—he had the whole set-up. he was a big fan of these four guys, but at the time i didn’t really connect with any of their music except this song. it’s an angry reaction to how the police murderously opened fire on a crowd of kent state college students protesting the vietnam war. four people were killed and others were wounded. i remember lying on my back and looking up at the wood rafters with the line, “ten soldiers and nixon coming, we’re finally on our own” turning over and over in my head…

“they were just kids,” my father said, which made me wonder, because i thought i was just a kid.

were the police going to shoot me too?

the hives “die, all right!”…nyc punk rock from sweden-- “too messed up to even mess around…we seem so alive, but when it comes to death we’re gonna die, all right! we’re gonna die! we’re gonna die! but not...right…NOW!”



nada surf “hi speed soul”…i want to “all skate” to this.

beck “paper tiger”…the story is that beck’s girl broke up with him and threw him into a soul searching depression, the result of which was this album, sea change. some people thought that he lost his game and wussed out, but i think it’s the best thing he ever did. maybe it’s because i was never a huge fan of his other stuff. that stoner, space cadet wit of his always got on my nerves-- although i did like some of the jams he put out with the dust brothers. but this is different…sea change is filled with tracks like this one, a big mural of a song, painted with bright, cinematic colors. the style recalls the 60’s pastiche of the first song of the mix--belle and Sebastian’s “i fought in a war”…which nearly brings us full circle…

that’s right. in the TRUEBOY world every ending is a beginning…especially when all u have to do is press play again…

i like the idea of making iMixes that fit on CDs, so folks can burn them for friends. there were two extra songs that weren’t in the iTunes database but are included on certain handmade hardcopies that i may get around to making, complete with one-off, painfully artsy covers.

thank-u for reading/listening.

-TRUE

email—trueboy{at}gmail{dot}com

URL-http://www.trueboy.blogspot.com



11.21.2004

BRANDTRUEBOY



what i'd REALLY like is a little carpeted storefront with a person seated at a wooden desk with a brown Formika top (the old school kind that has little, "Meet the Jetsons" designs spinning around in there) who looks like one of the three of us. perhaps they are one of us, it's hard to say...there's a gigantic neon clock on the white plaster wall and not a computer in sight. the person at the desk has a typewriter. or an adding machine. or a fashion magazine and a nail file.

or perhaps instead there's an ancient, rusted cash register that looks like something that was dragged out of the bottom of the ocean and unceremoniously dropped onto the desk. there is no way it would ever function, even if there was something in the store that one could actually buy.

there are some shirts hanging on a small metal rack, but each one of them is different and none of them look particularly NEW and besides, there aren't any tags on anything.

retro hip-hop plays from 2 huge, stark white speakerboxes that hang from the ceiling like communist intercoms.

there is a fat white phone on the Formika. it's something from the late 80s, with a long, curly cord that may or may not be tangled. occasionally it rings an incredibly jarring and ridiculous ring. the actor has to maintain a strict aura of officiousness as they answer, "Hello, BRANDTRUEBOY?"

or maybe it should be, "Hello. BRANDTRUEBOY."

or perhaps just,

"heya."

i dunno. i've still gotta work some of this shit out.

i'm especially interested in the actress who will play the part of TRUE. i think i'm gonna stop by when it's her shift, fer sere.

maybe she won't mind if i sometimes chill out there for a bit

smoking a cigarette and reading a comic book

bringing her a coffee...

(light and sweet)

and talking in familiar tones

about familiar things...

i can be THAT customer

the kind i always secretly wanted to be...the one who's in with the cool kids who work at the store

the one who gets to hang out, no questions asked, and is first in line when the free shit gets doled out.

the customer all the other customers love to hate--

that's who i want to be.


come on down to the store...u can buy some more more more...come on down to the store...u can buy some more more MORE



shit this thing keeps ringing.







jamie's coming home.


11.17.2004

this is how to blog

im wearing the same pants i wore the last time we fucked.

ohmygod u made me feel so good.

u made me want to fall fast asleep...






11.15.2004

and so we all huddled together in the room, drinking 40s and listening to palace. cat's blues--with will oldham howling, and if i could have a clue what justice is, it would be more than i deserve! and at that moment someone pulled open the closet to reveal an american flag draped over the inside of the door...our host staggered over and calmly lit the bottom corner of red and white stripes on fire with his zippo.

at first it only smoldered, but then long orange flames leapt up the flag, heading for the ceiling. everyone was yelling and smashing their beer bottles against the wall.

"I hate u hipster assholes!" i screamed, as the room swirled with orange and yellow carnival lite. no one heard me over the incessant BLEET of the smoke detector.

no one except sterling, that is.

she pressed her hands on my shoulders and whispered in my ear:

"i've got yr back."

then she grabbed my hand and led me to safety.




mouthy


11.09.2004

mama said canuck u out!



yo, i'm sorry to hear about yr heart...having had cardiological issues myself, i know you must be goin thru some shit right now. listen, tho, i found this great new product: Vegannaise. it's not made out of eggs and it has zero cholesterol and I SWEAR ON WHATEVER YA GOT that this shit tastes BETTER than most real mayonnaise. is that badge or what? Vegannaise fakes it so real it is beyond FAKE. that could be an ad! tack on the bit..."just like yr moms" and i think it might even sell in the g. hell, the first health food store opened in harlem a couple of months ago...(and by having ONE store harlem has more than in the entire state of indiana).

so you never know...

after i tried a tiny taste of Vegannaise i was like, super-psyched. plus i was high so you KNOW i slathered that shit on THICK--'happy mayo days are here again', style. it was funny though--when i took a bite, it was a little much. literally--the taste was great but i wasn't used to a sandwich being so wet.

six months ago, when the doc told me i better flip the script, i didn't really know how i was gonna manage, but now i can't even remember how half that shit tasted and i could really care less.

that's something i've been figurin on recently:

it turns out that i don't always want what i think i want, but i keep on after it anyway cuz i'm a creature of habit

i carve my name

i have to stop lecturing myself all the time and try listening instead.



anyway, my t-dot bloodclot, now that you have to lay off the sauce you and raymi should be down for whatever. she's goin dry too. oh i know it's none of my bidness, and that for all i know the two of you got beef right now, but this here is my site and it happens to be all about ME and my extended-play phantasies (i've got another site that's about me and my militia)...so if i want u and raymi to be cool, then u and raymi will be cool, and if i want my entire proplist to be living the life of rockstars without the music, than gosh darn it, i'm gonna treat each one of those bloggers on the left like they're the famous folks they deserve to be. and if i want to be a secret superhero who flies around my mind in my invisible jet and occasionally gets out to stare down the one and only wesssside batman, masked face to masked face--then i'm gonna do EXACTLY that.

there we are: pledging honor among thieves. the barest hint of a smile on each of our lips as we raise our arms and press our gilded, magic-spouting rings together.

thundercats, ho!


yeah so i hope it all works out fer ya, tyranny. incidentally, what did the doc say about puffin? mine didn't say a word, which led me to assume that i could keep on with my girlie smokes.

t-dot, t-dot

wtf is it called that, anyway?

wow. the Word spell check wants to change blogspot to bloodspot.

deep, huh?

...shit. i just read over this post.

i think i'm losing it.


11.07.2004

open yr heart to me



we went out to the intersection

and walked until the sidewalk turned dark

i looked up and saw that the cheap, plastic, ne0-modern streetlights had been smashed to bits

plunging the alley into total darkness.

this must be the place, i said, as i looked in to try and see if anyone was there.

headlights passed overhead

playing patterns on the overpass

like tiny bits of film

it's time, i said

come rain or shine

solice or swollen lips
...


cut to us making love

that's how i called it in the dream

you were on top of me and raining kisses on my cheeks

"whatever it was you said,"

you said.

and i was about to tell you i didn't understand

but i woke up instead.



11.04.2004

my idea of PHUN




mmmk.

the first thing i wanted to do was go out and incite a street riot,

but the first thing we have to do

is open our minds.



it was the internet who came out and voted, party people

it was that howard dean, smoked-out vibe

it was blogs and the daily show

it's the knowledge that even if yr the number one faggot freak

and all alone in yr shithole town,

there are places not so far away

where there are others just like you.




in the next four years it's time to build on that concept

we have to celebrate all the shit that makes us different from them

everything they'd like to pave over...

it's time to be in it for the spinach

it's time to bum rush the show

slay them with our love




(not to mention our BEATS)


all their beats, r belong to us!


10.30.2004

12

usually it's 3, but right now 12 is the magic number.

Big things happen when yr 12. They did for me. And they did for other chicks too, like Lolita from the book and LaToya from the block.

yr beginning to catch a glimpse of what it's gonna be like when yr not a little girl

a time of great concern

12 monkees, 12 jurors, 12 steps, 12 eggs, 12 nites of xmas...

yr beginning to figure out where you want to be touched...

the months in the year, the gods on the hill, the galaxies in time

and you start to realize that no one can stop you.

even a stopped clock keeps the right time, twice a day...

today i woke up and wandered around in a daze, half naked with the paper and no socks in the bright, freezing air. i've always got the windows open, no matter what the season. i looked at my watch and my heart sank a little when i saw that it was a quarter to 12. it was late--much later than i'd thought. then i realized it was daylight savings so it was really only a quarter to 11. i smiled and rolled on my back. it felt as though i'd been given a present--as though each one of the seconds in this new, free hour existed solely for me to be happy in. the number 12 receded into the horizon, where it waited patiently...

...until all at once there was the first black tuft of a fog warning, stretching towards us...



"here at the edge of it all"

at midnite everything turns crisp and sleek. my gaze is drawn to the metal wind chimes and the fire escape studded with drops

the underside of the trees are lit-up white.

12 chimneys stand in a crooked row

Nosferatu's teeth are on tv

im thinkin i need to hear some rock n' roll tomorrow

like pronto

12 prayers, 12 art exhibits, 12 episodes

12 opening credits for my imaginary movie.

12 spoonfuls of sugar.


12 misconceptions/hour when it comes to little ole me...







10.28.2004

3. Desert Rescue




“Alone, in the crowd,” I whispered, as I tried desperately to keep my shit straight. The mushrooms were making me forget my real name…they were making me fake it so real I was beyond fake.

I could hear the straining engine of the car behind us. The entire pick-up seemed to glow, as if a gigantic spotlight was shining upon it.

Just then, there was the sound of tires screeching, followed by a yellow flash that tore across the back of the pickup and shot up like a pinball into the great, black sky.

“Was that lightening?” I asked.

I felt someone’s arm curl around my ankle.

“It was going the wrong way to be lightening,” Trixie Treat purred from my shins. She was stretched out across the bed of the pickup like a cat.

The screech broke off, all at once. There were a few seconds of windswept silence during which someone muttered what the fuck. I understood enough to know that we were going very fast, too fast—the kind of fast that means you’re being chased. I squinted through the shadows at the back window and tried to make out the burly silhouette of Noah, the driver, but I kept hallucinating the outline of horns on his head so I closed my eyes and concentrated instead on holding the fuck on.

Due to the heightened sense of anticipation that the shrooms gave me, I felt us running off the road even before it happened.

Don’t worry, it’s a 4x4…

This thought was followed immediately, by:

Shit. I’m going to die.

I forgot the horns and started banging on the back window with one hand while holding onto one of the nylon straps that were fastened to the side of the truck with the other.

The pickup wasn’t meant to safely hold so many people crowded in the back, especially not at this speed. The dessert floor was little more than a pile of rocks. We bounced around like crazy. Everyone tried to get as flat as they could and hold on to whoever was around them. I felt legs draped over my arms, knees pressed against the top of my skull, arms over my thighs. “The five-o, the five-o,” I head someone cry out, but I knew it wasn’t the police who were after us. I know it the way someone who’s been robbed knows something is missing the second they walk in the door. They don’t yet register what, exactly, but they immediately know something is gone.

I heard music playing.

At first I wasn’t sure, but then it was unmistakable. Biggie Smalls shouted, “Where Brooklyn at? Where Brooklyn at? Where Brooklyn at?” over a raw, old school beat.

Jesusfuckingchrist, I said.

It can’t be them, it can’t be them, I thought, over and over.

We hit a bump and went flying. Everyone screamed and I looked over my shoulder to see one of the younger guys tumble over the back. Just like that. For a split second I saw him airborne--his hair stuck straight up on his head, forming a black halo against the red glow of the taillights and in the next second he was gone. I imagined him hitting the ground and SPLAT! his head exploding like a watermelon. Someone cried, “No, oh, god!” There was a loud whirling sound during which the truck lurched wildly from side to side. I lost hold of the strap and was shot to the back, gritting my teeth and holding my breath as I waited for the deadly back flip, when suddenly—miraculously--we were back on the smooth and gloriously level highway.

“We cut back to the exit!” someone yelled.

“Are you OK?’ someone else shouted—I think it was Marco--as he put his hand on my shoulder.

“I’m fine, I’m fine” I said, brushing him off. I crawled back towards the front of the bed. I felt like Mad Max, covered in dirt with the wind whipping my hair.

Had we lost them? I couldn’t see anyone behind us. I looked out at the road illuminated by our headlights and it was empty as well.

Holy shit! That kid fell out he’s going to be dead and it’s all my fault…

Suddenly, a huge cloud of dust filled the left side of the road as the other truck came charging up the rocky slope towards the road, in the same way I imagined we had. I saw that their plan was to cut in front of us. They were going so fast my eye could barely keep up with them. I felt like I was watching an old Laurel and Hardy movie, in which the action scenes always seemed to move too fast, as though someone had wound the film too tightly and it was spinning out, just barely staying on the reel. When they reached the road they tried to turn in front of us and ended up skidding instead. Before I could process the fact that it was Sterling’s bleached head that I saw in the passenger seat, the skid turned into a flip, and then another one, as I watched, half-laughing, half screaming.

“Fuck these shrooms!” I screamed, “Fuck these schrooms!”

As they had been trying to cut us off, when they flipped they landed directly in front of us. Noah turned quickly to the left, and we narrowly avoided a direct collision. I was laughing like crazy. Had there been anyone coming from the opposite direction, we would have been killed.

Fuckfuckfuckfuck!

We came to a grinding halt across the road, a pile of cacti stuffed into our front grill. Noah switched off the motor and the truck sagged backwards. The engine ticked away like crazy. That and the hushed gasps of someone crying were the only sounds.

As in a dream, I got up and jumped out of the pickup. I walked wobbly across the road, my Nikes crunching on the rocks and gravel that were strewn across it. I noticed that I could see the sky again. The clouds had gone away and the stars had come out.

Behind us was the canyon we had just passed through—a great, yawning emptiness. In the darkness, I couldn’t see it, but I could feel it.

…i could feel it opening…and then tightening it’s little rock fists…

The driver’s door of the Range Rover opened as I approached it. Fitzcarraldo was at the wheel, sitting bolt upright, his bangs in disarray.

“Hey,” he said, without turning his head. From the sing-song tone of his voice you would have thought we were bumping into each other downtown, on a street crowded with silly afternoon shoppers.

“Are you OK?” I said, my voice shaking.

“I think so,” he said.

His eyes watered up.

“Sweetheart! I can’t believe it’s really you!” he gushed. He couldn't seem to turn his head.

I felt someone nearby. I turned and saw Sterling standing by the rear of the truck.

“Get in,” she said. Her voice was low and menacing.

“Hey man, what the fuck…” I started.

“I said, get in,” she interrupted, and calmly pulled up her shirt to reveal the handle of a pistol sticking out of her jeans.

“Are you kidding me?” I said.

“Sterling!” Fitz said, still only able to look dead ahead. “What are you doing?”

Something stirred on the other side of the road. Sterling looked over and then back at me with her eyes wide.

“We’re here to rescue you. Now shut up and get in the goddamn car!” She took the gun out and pointed it at me. The whole image was made ten times worse by the drugs so it was all I could do to just fall to the ground and shit myself. Instead I stuck my arm out and let Sterling grab it and pull me towards the truck.

I looked at her, something had changed, but I couldn’t figure out what it was.

“Have you been working out?” I asked.

“Get in!” she shouted, still pointing the gun at my chest.

“OK, OK!” I placed my foot on the step and was immediately overcome by a violent tremor. Sterling gave my ass a shove and I managed to flop in next to Fitz.

He started the engine and looked at me out of the corner of his eye.

“It’s going to be OK,” he said, in a hushed tone.

“Yeah, OK, sure, whatever,” I said, my eyes filling with tears. Sterling reached over and pulled a seatbelt across me as we rolled forward into the night. The glass had popped out of the rear view mirror, so Sterling sat up and kept a look out behind us. Several minutes passed, during which I debated the reality of my situation.

“Are we cool?” Fitz asked.

“Wait a sec,” Sterling said, still keeping watch.

“No. I need to know,” there was an hysterical ring to his voice. Perhaps because he seemed incapable of turning his neck to look for himself. “Are we cool or not?”

Sterling turned around and faced forward.

“No one’s there,” she announced, and gave a hard, flat laugh. “HA! The stupid hippies aren’t even going to try…”

She smacked the dashboard for emphasis.

I realized I was trembling.

“You pulled a gun on me,” I said, matter-of-factly.

“I needed you to get a move on.”

“I can’t believe it.”

“You were standing there like a deer in the headlights! C’mon! You know I’d never hurt you!”

“I don’t know,” I said, rubbing my face. There was the sensation of dry leaves again, but this time I recognized it as the feeling I get just before I start crying.

“Somebody fell out…at least I think they did…oh, god…I don’t know…” The truth was, I didn’t want to know. Everything was completely haphazard…the glares across the windshield formed the letters of an alien alphabet; the dashboard lights hummed a barbershop quartet filled with ill portent.

“Shhhh, it’s OK now,” Sterling said. I felt the pressure of her thigh against mine.

“Let me look at you,” she said, and she held my face in her hands. She looked me in the eyes and I flinched.

“What is it, did they hurt you?”

“I did all the hurting,” I said, “You know me.”

There was a bump in the road that made us all jump, but it was only the beginning of a newly paved stretch of highway, smooth and shiny like a freshly iced cake.

“Are you hungry?” she asked, as she smoothed my bangs across my forehead.

Hungry? Was she kidding? The only thing I’d had for days was cereal and beer.

The tears finally came, burning the corners of my eyes.

“You just have to tell me one thing, OK? OK, Sterling? Is this really happening? Can you tell me that? Can you tell me if this is real or a dream?”





rawk


10.24.2004

2. Arizona, July 2001

yeah, if yr wondering what the fuck im doin with these posts that go back in time and shit...well, fitz started it...

no, seriously, this is a little series we planned to kick off the fabled "new" site with. the dot calm. but now that there's a whole new scheme for that URL, which you'll find out about soon enough we're gonna fuck that shit up right HRRRRRRRR...

those of u who have been with us for more than a minute might recognize bits from past posts i hit u with.

that's cuz i write all that shit down, first

as in, pen and paper

ive got a drawer filled with little black books

they are the source

the central generator--

the real originals

i am just a copy

a wanna be mover and shaker

in another century of fakers...


my only chance is to let the words speak for themselves.

Enjoy...




I’m getting a lot done now, on a steady diet of Scotch, Diet Coke and Asprin with a handful of Cap n’ Crunch Peanut Butter thrown in here and there. And my daily dose, of course. I’m laying off the Blow—it’s hard to find out here and besides, I’ve got enough raw, telepathic mind power to take me through the night. NYC is a memory to me now (everyday’s an endless dream, of cigarettes and magazines) but if I close my eyes I can see all those I left behind—they flicker about the edge of the frame like glitches or ghosts. Hey, there’s my girl Sterling…and my fag, Fitzcarraldo…they give me great imaginary movie head, taking me by the hand for wide screen, letterboxed excursions down dear old memory lane. Everything looks so beautiful while I’m lying on my back with the sky wrung out over my head like a gigantic, multi-colored washcloth. A silver camera…a titanium laptop…I’m procuring all the metals necessary to help us start a new country out here based on life, liberty and the tenacious pursuit of unreality. A valley-wide cinemascope. I had my induction about a month ago. The kids think I’m a visionary. At first I was worried that I’d stumbled upon one of those hippie cults that you hear about, but I quickly realized that couldn’t be the case, as it was all about freedom of choice and finding your own path through the desert. And fuck it if they are hippies. What difference do any of these labels make? They weren’t non-violent pussies, that’s for sure. We lived in tents and robbed trailers and popped pills and tripped balls. The desert was our playground. Every day was a winning proposition, outside of society, like Patti Smith.

One night, they woke me and told me it wasn’t safe where we were. There was a blur of activity as everyone helped to pull up camp. I walked around with ground glass in my joints and watched as one after another my peoples hopped onto the back of beat-up bikes and ancient, rusted cars. Five kids helped me gather my things and then drove me through the canyon in the back of a pick-up with a thermos full of green tea and ground up mushrooms. There were Dictaphones and camcorders buzzing away—they wanted to see what I would see, and record the moment for posterity, but as we rolled slow motion beneath the jagged god-fingered peaks a cloud passed in front of the moon and all I could make out were a thousand shades of black. I closed my eyes and it felt like my head was buried in a pile of dry leaves, but it was just the desert air, pressing and prickling.

I moved my head from side to side, trying to shake off the sensation. The kids thought I was seeing shit.

“What is it? What do you see?” they asked.

“Are we going to make it to the rendezvous? Are we going to be safe?”

“I’ve got nothing,” I said, rubbing my face. My skin felt like fake leather. I wished they would let me sleep. I was getting weary of this game. “I don’t see anything,” I said, which was of course the truth.

“I’m all alone,” I said.

I opened my eyes and was temporarily blinded by the headlights of a passing SUV.

“I’m alone…bathed…in the yellow light of the show.”

“What show? Who is it?”

I closed my eyes. Ahh, well, just once more…what’s the harm? Believe it or not, I was sober enough to see how ridiculous I was, but fucked-up enough to enjoy it.

Besides, it wasn’t all a lie. There were times out there in the desert when I really did feel something moving through me. A strange, unexplainable power that very well might have been supernatural.

I started to dramatize...

“Yes, here it is…something’s coming through now…I’m a member of Kraftwerk, and we’re about to play our first show in the states in Detroit, Michigan. Motor city. I can see it! There’s the whole 70s vibe—everything looks like it was filmed in super-eight. We’re expecting maybe a few handfuls of computer nerds to show up. When they tell us that the arena is packed we can’t believe it. Who the fuck is listening to German synthesizer music out here in the middle of the U.S.? The curtain goes up and a sea of black faces looks back at us in anticipation. A flash overtakes my body and I nearly lose composure. But I manage to step out onto the bright, shining stage and walk straight to my machine. All at once we begin to play. It doesn’t seem to be an activity that I have anything to do with, yet my hands are moving. The audience starts dancing. Dancing! I look up and see a human wave, rising and falling in time to the beat, undulating out into infinity.

Never, in our wildest dreams, had we ever imagined anything like this happening.”

I opened my eyes. The kids were completely quiet. Dumbfounded. They shook from side to side in the pickup bed like dolls, discussing with one another what this could possibly mean.

I remember thinking, wow, I pulled another good one, but as I had this thought, the moon came out from behind the cloud and the mushrooms kicked in to that next level, in which the sound of a low flying plane over head melted across my brain like a slab of butter, and I had to try and remember who I was and why I was in the position to make elaborate jokes at other people’s expense.

We were picking up speed. The other side of the highway was a blur.

(It’s my job to get us out of here safely, I thought, having suddenly become filled with a ludicrous sense of purpose)

What am I doing?

Where am I?

Who am I?

At that moment I came to the unsettling conclusion that I was more of a mix of certain carefully chosen styles than a person.

“OK. Party people!” I said. “I’m going to enumerate my identities for all of you, in order of importance. And by importance, I mean societal relevance and not according to my own personal preference, ya dig?”

They nodded their shaggy heads, ready for anything. Stoned and dethroned. Wearing next year’s style, despite their stupidity (or maybe because of it).

A number of them had perfect bone structure, lean builds and golden brown tans. They could have been young Greek lords or Calvin Klein models, lounging languorously around a giant urn and getting paid for it.

But then there were others—myself included—who were pale misfits, skinny or fat, with fucked-up skin and eyes that were either too far apart or too close together. Bad hair. Dandruff. Scars. It wasn’t like high school, where we would have been automatically relegated to the bottom of the social barrel. Deep in the chewy center of a drug subcultcha, the value system of the outside world no longer applies. In the desert, when you’re high all the time, it’s an inner light that matters. An inner beauty, based on need and companionship.

We shared everything, food, water, books, bodies.

“First and foremost, I’m a woman. Second, I’m white. Third, I’m young. And fourth, I’m American.”

Marco shouted, “I think American should be first.”

“Of course you would, you’ve got a dick,” I said, and everyone laughed.

“What about being an artist,” a small voice asked. It was the twelve year old Trixie Treat, the genius-slut, who was shivering in the corner from cold and lack of sleep.

“Fuck all that other stuff. Isn’t that what you really are?”

“Darling, I see what you’re saying, and a hundred or maybe even fifty years ago, yes, it would have been the case. I would have been an artist. But times have changed and TV has clipped our attention spans and it is no longer possible to be one thing any more than it is to get through an entire cable TV so-called program without changing the channel, at least once.

“Listen up,” I said, blinking my eyes against the wind as I turned to look each of them in the eyes.

“I am part of a new breed of artist. Rather than spend years working on a single canvas or score, we prefer to work sporadically, on several projects at once. The different works are usually united by a shared aesthetic that bounces back and forth between mediums. It’s like a game of hot potato with one player.

The new artist is a counterfeiter—a simulacrum, The Matrix itself.

The new artist grew up surrounded by a wealth of contradictions, i.e., the overflowing bounty of the suburban wasteland.

The new artist believes ordering-in is a lifestyle choice, best exemplified by answering the door wearing nothing but a pair of socks.

The new artist is not a hippie. He/she does not like to share drugs.

The new artist is sick of lip service, professionalism and contracts.

The new artist doesn’t know for sure who is real.

The new artist understands that all art is always already business art, but that one must be in a constant rebellion against this state of affairs. The best, most effective way to rebel is by making art.

The new artist is not like the others, who will spend their entire lives grasping at the magic string, which they can see but can never touch.

The new artist sees the string, tears it down and throws it in a plate of spaghetti to eat for dinner.”

I opened my eyes. My listeners were transfixed, whispering back and forth with one another, as they repeated bits of what I’d said and tried to get to the meaning of it.

I sat with my back against the driver’s window, stunned and uncertain at what had just transpired. The last bit was Goethe, that much I knew. I stared out at the highway that dissolved into darkness, like the wake of white surf left behind a ship. Several cars had passed us in the opposite direction, but now, for the first time I made out a pair of headlights behind us, growing brighter by the second. They were in a hurry, whoever it was. I sat facing them, squinting into the face of the unknown driver.

My comrades took notice. Elena, a big-boned, half-black, half-Romanian girl grabbed my shoulder.

“Here. Sit facing the other side,” she said.

I nodded my head and obeyed, automatically, giving a last glance out to the anonymous fellow traveler—or travelers.

(You see, deep in the folded recesses of my mind, I already suspected…I already knew who was coming for me…I could feel them getting closer, the same way a lonely lover can know without knowing that his lover has decided to come back to him…alone in a late night diner, oblivious to the world, he absentmindedly runs his finger across a laminated menu and traces the arc of the silver plane that is carrying her home at that very second…)

Thousands of feet above…as invisible as the Holy Ghost…three miles high and rising…








now more than ever.




10.23.2004

i love the pool but these days it makes me sad to look at it because it is full of dingy leaves and the liner has done and got itself all faded because it wasn't emptied before they left for France and the tomato pot fell over 'cos of the wind and i righted it but i know that when i go out there for a cig i will have to pick it up again.

i just ate mcdonald's and i feel great about myself now because i know my system will crash very soon and i'll snarl at the world until i take a huge crap and change the cd.



im not tryin to dis on yr family tree, but fuck jack keroac

i like yr stuff way better.


10.17.2004

there's this piece i want to write, but i think i have to be a little bit more straight to do it.

i've got yards of flow, but sometimes yards of flow aren't enough.

it's like

i've got the mic that rocks the party

and after the party there's the after party

and after the after party there's the hotel lobby...

but after that...

there is the time in the room

and after that there's real life again

and the time when yr not on the computer and yr not really anywhere

traveling in between places

on a train

or city bus

stuck in traffic

midnite, on the autobahn...

yr thoughts trailing out in front of you or else sucked behind.

while the moon peers down like a cop

who hides his billy club behind his back

and all of a sudden you feel a twinge of panic

the taste in yr mouth of time running out...

yr loves and yr life, suddenly up for review,

while esoteric noise rock from finland plays softly on the tiny dashboard speakers...

all of this, all these moving targets

is what i'm trying to include in my writing.



anyway, it's almost time
i feel it rising up within me like a tidal wave
washing away all doubt

and resetting the ancient iron machines

whose thermodynamic motion cast the odds

and set the scales by which a life is to be judged...


i tried to say a prayer before

but i got distracted half-way through and ended up playing with the equalizers on my fat ass stereo system instead.






10.15.2004

yes, for me it's also music that's the inspiration. i mean, there are books and they've been indispensible in configuring the way i think, but nothing cuts through to the hard nut center of it all like music.

i wanted to be that fast and that badass with my words.


I want the insta-grat of a stadium rock power chord

without using a guitar...






Band: Sonic Youth
Album: Daydream Nation
Song: The Sprawl
Country: USA, 1988


The Sprawl

To the extent that I wear skirts
And cheap nylon slips
I've gone native
I wanted to know the exact dimension of hell
Does this sound simple?
Fuck you! Are you for sale?
Does 'Fuck you' sound simple enough?
This was the only part that turned me on
But he was candy all over

Come on down to the store
You can buy some more, and more, and more, and more
You can buy some more, and more, and more, and more
You can buy some more, and more, and more, and more
You can buy some more, and more, and more, and more

I grew up in a shotgun row
Sliding down the hill
Out front were the big machines
Steel and rusty now I guess
Outback was the river
And that big sign down the road
That’s where it all started

Come on down to the store
You can buy some more, and more, and more, and more
Come on down to the store
You can buy some more, and more, and more, and more
Come on down to the store
You can buy some more, and more, and more, and more
You can buy some more, more, more, more


--- ---





10.09.2004



back in the day my name was Kid. my boy's name was keys, cuz he was a genius on the piano. this was 92, 93...we cut class and drove down crackhead lane, to where our friend A. lived. what i remember most about the place was that all the furniture was covered in plastic and all the curtains and shades were always drawn. i loved the dark, coccoon-like vibe. it always smelled of incense and after shave and spanish food that someone's girl was cooking in the kitchen. the various bands A. played drums in would come by to practice in the basement, and keys was of course true to his name and got in there on the keyboards. there he was--10AM when he was supposed to be in chemistry class with a nearly full ashtray and a glass of beer at his side, his glasses slipping off his face as he went deeper and deeper into the deep funk groove that was opening in the floor underneath him. soon he'd be dead to the world. the entire house could collapse around him and he'd keep right on playing. id watch for a while, but then i'd get restless and when no one was looking i went upstairs, to one of the first floor bedrooms where A.'s brother Peanut ran the family business, selling what everyone fronted like was weed, but was in actuality smack.

Peanut was small and misshapen, with a perfectly round, bald black head, immense shoulders and neck and a tiny, almost nonexistent waist and ladylike hips. he always wore sweatpants and he always wore them low. on top was a brilliant white undershirt over which he draped a silk or linen shirt that he left unbuttoned. it flowed about him like a cape. i knew he was strapped but i knew better than to look, although i always got the feeling that he wanted me to. his arms, while immensely muscular, were slightly foreshortened, which made them fascinating to me. they reminded me of action figure arms. i'd sit beside him on the bed while he stuffed baggies and watch the different bands of muscles move up and down. his skin was covered with raised pink scars. everywhere except his face, which was perfectly smooth--the skin drawn downwards, giving him the thoughtful look of a buddha. it helped too that his eyes were little slits--not because he was on anything. he didn't do drugs himself, that's just the way his eyes were.

at first when i came poking around he told me to get lost, but then he saw that i was smart and quiet, and the fact that it was heroin didn't seem to bug me, so he let me hang around. gimme that, kid, he'd say or reset the scale, kid...i'd sometimes catch him checking me out as i bent over to grab something but he never acted out of line, and on the contrary treated me with the kind of respect he might show another adult dude. i'd been working after school jobs since i was 13 but this was the first time i got to see how a business really ran. Peanut liked to joke around and act crazy, but when it was time to make money it was time to make money and everything became very serious. the musicians would come up stairs, one at a time, to make a score. they didn't see me, nestled between the side of the stereo and the wall and a big green bean bag that kept me hidden. i think some of them knew i was there, though. i heard their voices and i knew who they were, but the facts of the situation almost made them seem like different people...the shaky humorless jokes they made, the slightly defensive posturing...Peanut knew how to handle it all. while he never pitied their cravings, he somehow managed to honor them. they were, after all, his livelihood. i witnessed how he could diffuse a situation and rewire it, so that it worked for him.

i worked to adopt his poker face, and his manner of speaking slowly, which gave the impression that each word was chosen with care.

soon, i was heading straight for Peanut's room as soon as we came over, much to the chagrin of keys, who pretended it didn't make a difference to him whether i listened to him play.

maybe i've finally found something i'm really GOOD at, i thought.

peanut and i listened to jodeci, boyz II men and bobby brown while we measured, weighed and stuffed. i can still remember the feeling of honor when he finally let me count one of his wads of cash. his breath always smelled like hot cinammon certs. he told me about his girlfriends and showed me pictures of his kids in their school uniforms and told me that if i ever tried H he'd beat the shit out of me.

then there was that time he ran out for a second and an immense, murderous looking man managed to slip undetected through the front door and stood before me in the center of the room with his arms at his sides.

"where's peanut?" he wanted to know. he had a heavy jamaican accent.

"he'll be right back," I said...surprised at how easily i was able to speak. i was sitting on the bed, hugging my knees to my chin as i had been doing before he arrived.

there was a moment of silence, in which he looked me up and down. i was wearing an indie rock t and baggie jeans, not quite the hootchie gear he would have expected from a white chick on Peanut's bed.

"what the fuck, little girl," he said, "you gonna try and tell me yr peanut's bitch?"

"you gotta problem with it?" was Peanut's reply as he appeared behind him and pressed his foot into the back of the man's knees, causing him to buckle and loose his balance.

he stumbled forward and came just short of landing upon me on the bed, before he turned and broke into a wide grin.

"hahaha--y'all are crazy!" he shouted and proceeded to laugh like it was the funniest thing in the world, but peanut didn't smile, he just stood there, looking at the man and then back at me, and i noticed that he was breathing heavily, his nostrils flaring in and out as though he were upset.

and the feeling of everything always being OK was pulled aside for a few seconds, like the veil that covers the minister's disturbed and disbelieving face as he dutifully carries on with his sermon, revealing in its place a spinning world of pain and mistrust--a dark world of horrible endings and bent and broken souls...

i lit a cigarette and folded my hands in my lap. i could hear the blood pounding in my ears...

that was more or less the beginning...the first push or plunge or whatever...

...all the other shit fell like dominos after that.



radio












10.07.2004

The Loins Dark Twists



Everything is Fair When You're Living in The City.



I'm always amazed when I see a handmade halloween costume with elaborate details, or a parade float covered with rose petals, or a gingerbread house, or a space shuttle made out of sand...or how about a perfectly geometrical jello sculpture done in three flavors?...anything that requires time and care to create but doesn't seem to serve any meaningful or lasting purpose.

that said, i completely understand the urge to create disposable things...especially costumes--the kind that you can keep making into new costumes.

it's putting in all that time and effort that baffles me



before BRANDTRUEBOY i used to ride the trains late at nite and put up the stickers i'd made at kinkos in the afternoon. i had a whole bunch of different ones--im not going to go into that now. what i liked was being out, although it was a totally bogus excuse, as i was just as capable of putting up a sticker in broad daylight. fuckit i'll wheatpaste in front of people. what's the worst that's going to happen? i got chased and screamed at by shop owners but no one else ever gave a damn. it was great and scary at the same time, because i really kept expecting that in the next second someone would try to stop me from putting up page after page of art, but they didn't...it was eye and mind opening--i realized that there was all sorts of space out there, free for the picking.

i love the city at nite

when everyone is out and you walk down the street with that swirly, two-headed monster feeling



i derno...i feel like i'm just receiving the message right about now. i was sitting across from fitz and suddenly his head just kinda trailed out towards the window, all pyschadelic and shit...that's what it's about, that's what the last couple of weeks have been like--i'd be lying if i said otherwise.






the cold just knocks me out; all that steam rising


10.02.2004

New Age




Ancient Voices speak of fighting demons with demons, as a Second night settles over the City, illuminating the shadows with its darkness. I am standing at the edge, feeling the tug of skyscrapers between which an infinity is rising up…

…an inexorable figure calling to me against the background of the things that are here.

(And if so that something might happen, I were to make a vow?)