links open windows




12

by TRUE

usually it's 3, but right now 12 is the magic number.

Big things happen when yr 12. They did for me. And they did for other chicks too, like Lolita from the book and LaToya from the block.

yr beginning to catch a glimpse of what it's gonna be like when yr not a little girl

a time of great concern

12 monkees, 12 jurors, 12 steps, 12 eggs, 12 nites of xmas...

yr beginning to figure out where you want to be touched...

the months in the year, the gods on the hill, the galaxies in time

and you start to realize that no one can stop you.

even a stopped clock keeps the right time, twice a day...

today i woke up and wandered around in a daze, half naked with the paper and no socks in the bright, freezing air. i've always got the windows open, no matter what the season. i looked at my watch and my heart sank a little when i saw that it was a quarter to 12. it was late--much later than i'd thought. then i realized it was daylight savings so it was really only a quarter to 11. i smiled and rolled on my back. it felt as though i'd been given a present--as though each one of the seconds in this new, free hour existed solely for me to be happy in. the number 12 receded into the horizon, where it waited patiently...

...until all at once there was the first black tuft of a fog warning, stretching towards us...



"here at the edge of it all"

at midnite everything turns crisp and sleek. my gaze is drawn to the metal wind chimes and the fire escape studded with drops

the underside of the trees are lit-up white.

12 chimneys stand in a crooked row

Nosferatu's teeth are on tv

im thinkin i need to hear some rock n' roll tomorrow

like pronto

12 prayers, 12 art exhibits, 12 episodes

12 opening credits for my imaginary movie.

12 spoonfuls of sugar.


12 misconceptions/hour when it comes to little ole me...







3. Desert Rescue

by TRUE




“Alone, in the crowd,” I whispered, as I tried desperately to keep my shit straight. The mushrooms were making me forget my real name…they were making me fake it so real I was beyond fake.

I could hear the straining engine of the car behind us. The entire pick-up seemed to glow, as if a gigantic spotlight was shining upon it.

Just then, there was the sound of tires screeching, followed by a yellow flash that tore across the back of the pickup and shot up like a pinball into the great, black sky.

“Was that lightening?” I asked.

I felt someone’s arm curl around my ankle.

“It was going the wrong way to be lightening,” Trixie Treat purred from my shins. She was stretched out across the bed of the pickup like a cat.

The screech broke off, all at once. There were a few seconds of windswept silence during which someone muttered what the fuck. I understood enough to know that we were going very fast, too fast—the kind of fast that means you’re being chased. I squinted through the shadows at the back window and tried to make out the burly silhouette of Noah, the driver, but I kept hallucinating the outline of horns on his head so I closed my eyes and concentrated instead on holding the fuck on.

Due to the heightened sense of anticipation that the shrooms gave me, I felt us running off the road even before it happened.

Don’t worry, it’s a 4x4…

This thought was followed immediately, by:

Shit. I’m going to die.

I forgot the horns and started banging on the back window with one hand while holding onto one of the nylon straps that were fastened to the side of the truck with the other.

The pickup wasn’t meant to safely hold so many people crowded in the back, especially not at this speed. The dessert floor was little more than a pile of rocks. We bounced around like crazy. Everyone tried to get as flat as they could and hold on to whoever was around them. I felt legs draped over my arms, knees pressed against the top of my skull, arms over my thighs. “The five-o, the five-o,” I head someone cry out, but I knew it wasn’t the police who were after us. I know it the way someone who’s been robbed knows something is missing the second they walk in the door. They don’t yet register what, exactly, but they immediately know something is gone.

I heard music playing.

At first I wasn’t sure, but then it was unmistakable. Biggie Smalls shouted, “Where Brooklyn at? Where Brooklyn at? Where Brooklyn at?” over a raw, old school beat.

Jesusfuckingchrist, I said.

It can’t be them, it can’t be them, I thought, over and over.

We hit a bump and went flying. Everyone screamed and I looked over my shoulder to see one of the younger guys tumble over the back. Just like that. For a split second I saw him airborne--his hair stuck straight up on his head, forming a black halo against the red glow of the taillights and in the next second he was gone. I imagined him hitting the ground and SPLAT! his head exploding like a watermelon. Someone cried, “No, oh, god!” There was a loud whirling sound during which the truck lurched wildly from side to side. I lost hold of the strap and was shot to the back, gritting my teeth and holding my breath as I waited for the deadly back flip, when suddenly—miraculously--we were back on the smooth and gloriously level highway.

“We cut back to the exit!” someone yelled.

“Are you OK?’ someone else shouted—I think it was Marco--as he put his hand on my shoulder.

“I’m fine, I’m fine” I said, brushing him off. I crawled back towards the front of the bed. I felt like Mad Max, covered in dirt with the wind whipping my hair.

Had we lost them? I couldn’t see anyone behind us. I looked out at the road illuminated by our headlights and it was empty as well.

Holy shit! That kid fell out he’s going to be dead and it’s all my fault…

Suddenly, a huge cloud of dust filled the left side of the road as the other truck came charging up the rocky slope towards the road, in the same way I imagined we had. I saw that their plan was to cut in front of us. They were going so fast my eye could barely keep up with them. I felt like I was watching an old Laurel and Hardy movie, in which the action scenes always seemed to move too fast, as though someone had wound the film too tightly and it was spinning out, just barely staying on the reel. When they reached the road they tried to turn in front of us and ended up skidding instead. Before I could process the fact that it was Sterling’s bleached head that I saw in the passenger seat, the skid turned into a flip, and then another one, as I watched, half-laughing, half screaming.

“Fuck these shrooms!” I screamed, “Fuck these schrooms!”

As they had been trying to cut us off, when they flipped they landed directly in front of us. Noah turned quickly to the left, and we narrowly avoided a direct collision. I was laughing like crazy. Had there been anyone coming from the opposite direction, we would have been killed.

Fuckfuckfuckfuck!

We came to a grinding halt across the road, a pile of cacti stuffed into our front grill. Noah switched off the motor and the truck sagged backwards. The engine ticked away like crazy. That and the hushed gasps of someone crying were the only sounds.

As in a dream, I got up and jumped out of the pickup. I walked wobbly across the road, my Nikes crunching on the rocks and gravel that were strewn across it. I noticed that I could see the sky again. The clouds had gone away and the stars had come out.

Behind us was the canyon we had just passed through—a great, yawning emptiness. In the darkness, I couldn’t see it, but I could feel it.

…i could feel it opening…and then tightening it’s little rock fists…

The driver’s door of the Range Rover opened as I approached it. Fitzcarraldo was at the wheel, sitting bolt upright, his bangs in disarray.

“Hey,” he said, without turning his head. From the sing-song tone of his voice you would have thought we were bumping into each other downtown, on a street crowded with silly afternoon shoppers.

“Are you OK?” I said, my voice shaking.

“I think so,” he said.

His eyes watered up.

“Sweetheart! I can’t believe it’s really you!” he gushed. He couldn't seem to turn his head.

I felt someone nearby. I turned and saw Sterling standing by the rear of the truck.

“Get in,” she said. Her voice was low and menacing.

“Hey man, what the fuck…” I started.

“I said, get in,” she interrupted, and calmly pulled up her shirt to reveal the handle of a pistol sticking out of her jeans.

“Are you kidding me?” I said.

“Sterling!” Fitz said, still only able to look dead ahead. “What are you doing?”

Something stirred on the other side of the road. Sterling looked over and then back at me with her eyes wide.

“We’re here to rescue you. Now shut up and get in the goddamn car!” She took the gun out and pointed it at me. The whole image was made ten times worse by the drugs so it was all I could do to just fall to the ground and shit myself. Instead I stuck my arm out and let Sterling grab it and pull me towards the truck.

I looked at her, something had changed, but I couldn’t figure out what it was.

“Have you been working out?” I asked.

“Get in!” she shouted, still pointing the gun at my chest.

“OK, OK!” I placed my foot on the step and was immediately overcome by a violent tremor. Sterling gave my ass a shove and I managed to flop in next to Fitz.

He started the engine and looked at me out of the corner of his eye.

“It’s going to be OK,” he said, in a hushed tone.

“Yeah, OK, sure, whatever,” I said, my eyes filling with tears. Sterling reached over and pulled a seatbelt across me as we rolled forward into the night. The glass had popped out of the rear view mirror, so Sterling sat up and kept a look out behind us. Several minutes passed, during which I debated the reality of my situation.

“Are we cool?” Fitz asked.

“Wait a sec,” Sterling said, still keeping watch.

“No. I need to know,” there was an hysterical ring to his voice. Perhaps because he seemed incapable of turning his neck to look for himself. “Are we cool or not?”

Sterling turned around and faced forward.

“No one’s there,” she announced, and gave a hard, flat laugh. “HA! The stupid hippies aren’t even going to try…”

She smacked the dashboard for emphasis.

I realized I was trembling.

“You pulled a gun on me,” I said, matter-of-factly.

“I needed you to get a move on.”

“I can’t believe it.”

“You were standing there like a deer in the headlights! C’mon! You know I’d never hurt you!”

“I don’t know,” I said, rubbing my face. There was the sensation of dry leaves again, but this time I recognized it as the feeling I get just before I start crying.

“Somebody fell out…at least I think they did…oh, god…I don’t know…” The truth was, I didn’t want to know. Everything was completely haphazard…the glares across the windshield formed the letters of an alien alphabet; the dashboard lights hummed a barbershop quartet filled with ill portent.

“Shhhh, it’s OK now,” Sterling said. I felt the pressure of her thigh against mine.

“Let me look at you,” she said, and she held my face in her hands. She looked me in the eyes and I flinched.

“What is it, did they hurt you?”

“I did all the hurting,” I said, “You know me.”

There was a bump in the road that made us all jump, but it was only the beginning of a newly paved stretch of highway, smooth and shiny like a freshly iced cake.

“Are you hungry?” she asked, as she smoothed my bangs across my forehead.

Hungry? Was she kidding? The only thing I’d had for days was cereal and beer.

The tears finally came, burning the corners of my eyes.

“You just have to tell me one thing, OK? OK, Sterling? Is this really happening? Can you tell me that? Can you tell me if this is real or a dream?”





rawk


2. Arizona, July 2001

by TRUE

yeah, if yr wondering what the fuck im doin with these posts that go back in time and shit...well, fitz started it...

no, seriously, this is a little series we planned to kick off the fabled "new" site with. the dot calm. but now that there's a whole new scheme for that URL, which you'll find out about soon enough we're gonna fuck that shit up right HRRRRRRRR...

those of u who have been with us for more than a minute might recognize bits from past posts i hit u with.

that's cuz i write all that shit down, first

as in, pen and paper

ive got a drawer filled with little black books

they are the source

the central generator--

the real originals

i am just a copy

a wanna be mover and shaker

in another century of fakers...


my only chance is to let the words speak for themselves.

Enjoy...




I’m getting a lot done now, on a steady diet of Scotch, Diet Coke and Asprin with a handful of Cap n’ Crunch Peanut Butter thrown in here and there. And my daily dose, of course. I’m laying off the Blow—it’s hard to find out here and besides, I’ve got enough raw, telepathic mind power to take me through the night. NYC is a memory to me now (everyday’s an endless dream, of cigarettes and magazines) but if I close my eyes I can see all those I left behind—they flicker about the edge of the frame like glitches or ghosts. Hey, there’s my girl Sterling…and my fag, Fitzcarraldo…they give me great imaginary movie head, taking me by the hand for wide screen, letterboxed excursions down dear old memory lane. Everything looks so beautiful while I’m lying on my back with the sky wrung out over my head like a gigantic, multi-colored washcloth. A silver camera…a titanium laptop…I’m procuring all the metals necessary to help us start a new country out here based on life, liberty and the tenacious pursuit of unreality. A valley-wide cinemascope. I had my induction about a month ago. The kids think I’m a visionary. At first I was worried that I’d stumbled upon one of those hippie cults that you hear about, but I quickly realized that couldn’t be the case, as it was all about freedom of choice and finding your own path through the desert. And fuck it if they are hippies. What difference do any of these labels make? They weren’t non-violent pussies, that’s for sure. We lived in tents and robbed trailers and popped pills and tripped balls. The desert was our playground. Every day was a winning proposition, outside of society, like Patti Smith.

One night, they woke me and told me it wasn’t safe where we were. There was a blur of activity as everyone helped to pull up camp. I walked around with ground glass in my joints and watched as one after another my peoples hopped onto the back of beat-up bikes and ancient, rusted cars. Five kids helped me gather my things and then drove me through the canyon in the back of a pick-up with a thermos full of green tea and ground up mushrooms. There were Dictaphones and camcorders buzzing away—they wanted to see what I would see, and record the moment for posterity, but as we rolled slow motion beneath the jagged god-fingered peaks a cloud passed in front of the moon and all I could make out were a thousand shades of black. I closed my eyes and it felt like my head was buried in a pile of dry leaves, but it was just the desert air, pressing and prickling.

I moved my head from side to side, trying to shake off the sensation. The kids thought I was seeing shit.

“What is it? What do you see?” they asked.

“Are we going to make it to the rendezvous? Are we going to be safe?”

“I’ve got nothing,” I said, rubbing my face. My skin felt like fake leather. I wished they would let me sleep. I was getting weary of this game. “I don’t see anything,” I said, which was of course the truth.

“I’m all alone,” I said.

I opened my eyes and was temporarily blinded by the headlights of a passing SUV.

“I’m alone…bathed…in the yellow light of the show.”

“What show? Who is it?”

I closed my eyes. Ahh, well, just once more…what’s the harm? Believe it or not, I was sober enough to see how ridiculous I was, but fucked-up enough to enjoy it.

Besides, it wasn’t all a lie. There were times out there in the desert when I really did feel something moving through me. A strange, unexplainable power that very well might have been supernatural.

I started to dramatize...

“Yes, here it is…something’s coming through now…I’m a member of Kraftwerk, and we’re about to play our first show in the states in Detroit, Michigan. Motor city. I can see it! There’s the whole 70s vibe—everything looks like it was filmed in super-eight. We’re expecting maybe a few handfuls of computer nerds to show up. When they tell us that the arena is packed we can’t believe it. Who the fuck is listening to German synthesizer music out here in the middle of the U.S.? The curtain goes up and a sea of black faces looks back at us in anticipation. A flash overtakes my body and I nearly lose composure. But I manage to step out onto the bright, shining stage and walk straight to my machine. All at once we begin to play. It doesn’t seem to be an activity that I have anything to do with, yet my hands are moving. The audience starts dancing. Dancing! I look up and see a human wave, rising and falling in time to the beat, undulating out into infinity.

Never, in our wildest dreams, had we ever imagined anything like this happening.”

I opened my eyes. The kids were completely quiet. Dumbfounded. They shook from side to side in the pickup bed like dolls, discussing with one another what this could possibly mean.

I remember thinking, wow, I pulled another good one, but as I had this thought, the moon came out from behind the cloud and the mushrooms kicked in to that next level, in which the sound of a low flying plane over head melted across my brain like a slab of butter, and I had to try and remember who I was and why I was in the position to make elaborate jokes at other people’s expense.

We were picking up speed. The other side of the highway was a blur.

(It’s my job to get us out of here safely, I thought, having suddenly become filled with a ludicrous sense of purpose)

What am I doing?

Where am I?

Who am I?

At that moment I came to the unsettling conclusion that I was more of a mix of certain carefully chosen styles than a person.

“OK. Party people!” I said. “I’m going to enumerate my identities for all of you, in order of importance. And by importance, I mean societal relevance and not according to my own personal preference, ya dig?”

They nodded their shaggy heads, ready for anything. Stoned and dethroned. Wearing next year’s style, despite their stupidity (or maybe because of it).

A number of them had perfect bone structure, lean builds and golden brown tans. They could have been young Greek lords or Calvin Klein models, lounging languorously around a giant urn and getting paid for it.

But then there were others—myself included—who were pale misfits, skinny or fat, with fucked-up skin and eyes that were either too far apart or too close together. Bad hair. Dandruff. Scars. It wasn’t like high school, where we would have been automatically relegated to the bottom of the social barrel. Deep in the chewy center of a drug subcultcha, the value system of the outside world no longer applies. In the desert, when you’re high all the time, it’s an inner light that matters. An inner beauty, based on need and companionship.

We shared everything, food, water, books, bodies.

“First and foremost, I’m a woman. Second, I’m white. Third, I’m young. And fourth, I’m American.”

Marco shouted, “I think American should be first.”

“Of course you would, you’ve got a dick,” I said, and everyone laughed.

“What about being an artist,” a small voice asked. It was the twelve year old Trixie Treat, the genius-slut, who was shivering in the corner from cold and lack of sleep.

“Fuck all that other stuff. Isn’t that what you really are?”

“Darling, I see what you’re saying, and a hundred or maybe even fifty years ago, yes, it would have been the case. I would have been an artist. But times have changed and TV has clipped our attention spans and it is no longer possible to be one thing any more than it is to get through an entire cable TV so-called program without changing the channel, at least once.

“Listen up,” I said, blinking my eyes against the wind as I turned to look each of them in the eyes.

“I am part of a new breed of artist. Rather than spend years working on a single canvas or score, we prefer to work sporadically, on several projects at once. The different works are usually united by a shared aesthetic that bounces back and forth between mediums. It’s like a game of hot potato with one player.

The new artist is a counterfeiter—a simulacrum, The Matrix itself.

The new artist grew up surrounded by a wealth of contradictions, i.e., the overflowing bounty of the suburban wasteland.

The new artist believes ordering-in is a lifestyle choice, best exemplified by answering the door wearing nothing but a pair of socks.

The new artist is not a hippie. He/she does not like to share drugs.

The new artist is sick of lip service, professionalism and contracts.

The new artist doesn’t know for sure who is real.

The new artist understands that all art is always already business art, but that one must be in a constant rebellion against this state of affairs. The best, most effective way to rebel is by making art.

The new artist is not like the others, who will spend their entire lives grasping at the magic string, which they can see but can never touch.

The new artist sees the string, tears it down and throws it in a plate of spaghetti to eat for dinner.”

I opened my eyes. My listeners were transfixed, whispering back and forth with one another, as they repeated bits of what I’d said and tried to get to the meaning of it.

I sat with my back against the driver’s window, stunned and uncertain at what had just transpired. The last bit was Goethe, that much I knew. I stared out at the highway that dissolved into darkness, like the wake of white surf left behind a ship. Several cars had passed us in the opposite direction, but now, for the first time I made out a pair of headlights behind us, growing brighter by the second. They were in a hurry, whoever it was. I sat facing them, squinting into the face of the unknown driver.

My comrades took notice. Elena, a big-boned, half-black, half-Romanian girl grabbed my shoulder.

“Here. Sit facing the other side,” she said.

I nodded my head and obeyed, automatically, giving a last glance out to the anonymous fellow traveler—or travelers.

(You see, deep in the folded recesses of my mind, I already suspected…I already knew who was coming for me…I could feel them getting closer, the same way a lonely lover can know without knowing that his lover has decided to come back to him…alone in a late night diner, oblivious to the world, he absentmindedly runs his finger across a laminated menu and traces the arc of the silver plane that is carrying her home at that very second…)

Thousands of feet above…as invisible as the Holy Ghost…three miles high and rising…








now more than ever.




by TRUE

i love the pool but these days it makes me sad to look at it because it is full of dingy leaves and the liner has done and got itself all faded because it wasn't emptied before they left for France and the tomato pot fell over 'cos of the wind and i righted it but i know that when i go out there for a cig i will have to pick it up again.

i just ate mcdonald's and i feel great about myself now because i know my system will crash very soon and i'll snarl at the world until i take a huge crap and change the cd.



im not tryin to dis on yr family tree, but fuck jack keroac

i like yr stuff way better.


September 10, 2001

by fitzcarraldo



I used one of Daddy’s credit cards to rent us an Escalade.

It was definitely that kind of outing. Nothing short of a Cadillac was going to do. It was black, for which I paid extra. (I should say, for which Daddy paid extra). The factory trim was a bit disappointing, but what could be expected on such short notice? Besides, the sound system made up for it.

I drove, naturally. I pulled up to the appointed Manhattan corner clenching the stub of a Philly blunt between my teeth. I scanned the rushed, mean faces of the after work crowd, looking for TRUE. She came out of a deli just as I pulled my floating fortress into park.

She was dressed all in black—black Diesel jeans, black hooded sweatshirt, black on black Yankees cap. I caught the barely perceptible nod of her head as she threw a look at the car. I knew she thought it was hot. I couldn’t help feeling a tiny bit like the mack, despite the circumstances. I was dressed for success in a black Armani suit and light violet silk shirt, also Armani. I leaned over to pop open the door and then promptly leaned back again and extended my foot so that TRUE could see my brand new Bally moccasins.

“I do believe it’s acceptable not to wear socks in early September,” I said, laughing for no reason.

“I don’t know,” she said, giving me a cursory once over before sliding into shotgun. I immediately noticed that her face was even paler than usual. Perhaps it was all the black. Or perhaps it was because her honor had been attacked. I felt a surge of protectiveness towards her that I immediately set about detaching myself from and analyzing.

“Is the 10th still early September,” she asked, her voice weighted with weariness.

“Certainly, anything up until the 15th.” The car lighter popped. I stared at its glowing orange rings before bringing it up to the blunt.

I tilted the mirror so I could look at her. She was leaning against the window with her eyes closed. There was a long white athletic sock across her lap.

Suddenly, she held up her hand and kept it poised in mid-air. This was a signal for me to pass the blunt.

She pulled hard and coughed once, loudly, like an old man, before passing it back.

“What are you going to cover your face with?”

“Nothing,” I said as I tapped a fat Philly ash into the brilliantly clean silver ashtray.

“I’ve realized that my face is completely unremarkable. Don’t look so shocked, darling. I’ve come to terms; I’m over it.”

“Give me a break,” she said.

I winked and tipped an imaginary hat.

“Don’t worry, darling, I’m the invisible man. And I’ve got a pair of Ray Bans for the magic moment, if I feel it so requires.... Now. First things first. Choose a CD.”

“I made a mix.”

“Of course you did. Let’s pick-up the dyke.”

We got on the West Side Highway and headed for 42nd St. At one of the lights, TRUE showed me the picture she’d snapped of her perpetrator. It was printed on the back of old MapQuest directions for some street in Phoenix. I felt a shiver go up my back when I saw the name of that hated city. I concentrated on the picture. It as an action shot of a kid in blue jeans running beneath the overpass of the BQE. His brown hair fanned out over his head. The Twin Towers looked like blue ghosts in the background. Her digital camera takes shit pictures even under the best circumstances—this hurried, ill-lit shot was more like a pixilated puzzle than a picture. She was very proud of having managed to take it, however, so I held the paper up to my nose and tried my hardest to make out the asshole in question.

“What do you think?” she said.

“Um, well…I think it’s very brave that you took this, but I’m not sure how helpful it will be in finding him.”

“Of course it helps! Look at the way his hair curls up at the ends…and his blue white jeans…they’re so totally not in style.”

“What if he’s not wearing the jeans?”

“Oh, he will be,” she said, smiling smugly.

“How do you know?”

“I just know,” she said. “True Faith” by New Order came on the mix, the opening beats thudded dramatically in the door speakers:

I feel so extraordinary, something’s got a hold on me
I get the feeling I’m in motion…a sudden sense of liberty…

I tilted the mirror some more so I could watch as she took a roll of quarters from the pocket of her sweatshirt jacket and emptied them into the sock. She repeated this several times.

A calculation flashed across my blunted brain in bright green lights: the number of white boys wearing blue jeans in Brooklyn divided by one fat, rented caddy with a semi-recuperated psycho riding shotgun wielding a sock stuffed with quarters…how long would it take us to bean each one of them in their floppy-haired heads? I envisioned us, days later, the Caddy dusty and dented, with TRUE leaning out the window with a blood soaked sock…

“Hold on! I’m abouts to bag me another one!”

Oh, it was funny, but not really. It’s like the Smiths song, “That Joke Isn’t Funny Anymore”, when Morrissey sings, “it’s too close to home and it’s too near the bone.” That’s what it’s like being with TRUE, ever since Arizona...



by TRUE

there's this piece i want to write, but i think i have to be a little bit more straight to do it.

i've got yards of flow, but sometimes yards of flow aren't enough.

it's like

i've got the mic that rocks the party

and after the party there's the after party

and after the after party there's the hotel lobby...

but after that...

there is the time in the room

and after that there's real life again

and the time when yr not on the computer and yr not really anywhere

traveling in between places

on a train

or city bus

stuck in traffic

midnite, on the autobahn...

yr thoughts trailing out in front of you or else sucked behind.

while the moon peers down like a cop

who hides his billy club behind his back

and all of a sudden you feel a twinge of panic

the taste in yr mouth of time running out...

yr loves and yr life, suddenly up for review,

while esoteric noise rock from finland plays softly on the tiny dashboard speakers...

all of this, all these moving targets

is what i'm trying to include in my writing.



anyway, it's almost time
i feel it rising up within me like a tidal wave
washing away all doubt

and resetting the ancient iron machines

whose thermodynamic motion cast the odds

and set the scales by which a life is to be judged...


i tried to say a prayer before

but i got distracted half-way through and ended up playing with the equalizers on my fat ass stereo system instead.






by TRUE

yes, for me it's also music that's the inspiration. i mean, there are books and they've been indispensible in configuring the way i think, but nothing cuts through to the hard nut center of it all like music.

i wanted to be that fast and that badass with my words.


I want the insta-grat of a stadium rock power chord

without using a guitar...






Band: Sonic Youth
Album: Daydream Nation
Song: The Sprawl
Country: USA, 1988


The Sprawl

To the extent that I wear skirts
And cheap nylon slips
I've gone native
I wanted to know the exact dimension of hell
Does this sound simple?
Fuck you! Are you for sale?
Does 'Fuck you' sound simple enough?
This was the only part that turned me on
But he was candy all over

Come on down to the store
You can buy some more, and more, and more, and more
You can buy some more, and more, and more, and more
You can buy some more, and more, and more, and more
You can buy some more, and more, and more, and more

I grew up in a shotgun row
Sliding down the hill
Out front were the big machines
Steel and rusty now I guess
Outback was the river
And that big sign down the road
That’s where it all started

Come on down to the store
You can buy some more, and more, and more, and more
Come on down to the store
You can buy some more, and more, and more, and more
Come on down to the store
You can buy some more, and more, and more, and more
You can buy some more, more, more, more


--- ---





by fitzcarraldo



It’s been eons since the three of us have gone out together. I saw our reflections in a bank window and thought—there we are…the three milkshakes, live in the fleshy flesh on a Friday Nite. BTW chicas, I think that should be the name of BRANDTRUEBOY’S clothing design company—“The Three Milkshakes”. Although “Live in the Fleshy Flesh” is a pretty good one too...hmm. Anywho, I got so psyched to see myself out with those bitches, lemme tell ya. Did I mention that it’s been eons? K, it’s been about a week, but that’s like a year in fag time. Sterling was on my left arm, eating a bright red apple and managing to look cock diesel sans cock…in her tight blue jeans and her belt made out of an old seatbelt with antique soda bottle caps hot-glued onto the sides. “My Grandma made it for me,” she said, sounding sad and little girl-ish, as she always does when she mentions her family—all of which are so far out of her life she doesn’t even know where they live anymore…or IF they live. She wore a white designer tank top given to her by her latest girl—it was hand woven on a tiny Japanese island out of the thinnest, most precious cotton spun on earth. I couldn't take my eyes off it and stared and stared, until the threads burned purple marks across my eyes. Over this she wore her beat-up retro green leather. Her silver hair was combed up into a Tin Tin like poof. Her shoulders were muscular beneath my fingertips.

TROUBLE TRUE was on my right arm, all 5’ 3’ of her. She was wearing her ancient, super-soft black jeans that she hadn’t washed in months. She had on her army green Calvin Klein sweatshirt with the enormous hood and the dirty words written in magic marker on the left sleeve. “The wind from a taxi window dried my hair today…It was blasting in my face, all the way up Central Park West. It was awesome…I love having hair again.” That said she didn’t once take off her hood to show us how long it’s gotten. She blinked out at the world from behind the scratchy lenses of her thick-rimmed, super geek glasses.

“Serial killer is the new black,” she said, smiling wickedly as she clung to my arm. The diamonds on her hoops glistened. Her lipstick was perfect and her green on brown Shox looked brand new. As for me, I’ve taken it back up a notch or two, as I retreat into the easy comfort of silks and proper, pleated trousers. My hair is black again and I’ve got new fronts (a tasteful gold frame, just on the top teeth). Perhaps I’m going through some sort of Latino phase…I’ve been smoking Newports of all things and have developed the habit of carrying a pack in the breast pocket of my dress shirts, through which the green and white label is plainly visible…

I wanted to go to the piers, the girls wanted to eat. I took out my phone to call a car but they wanted to walk. So walk we did—we went up and down stairs—we got on and off trains, never once coming to a complete halt—walking though car after car as the train rumbled along. My favorite is moving in the opposite direction from which you are traveling. You push along, with everything tugging back at you, especially when you’re in between cars. It made me reflect upon the nature of time, and if individual instants are chained together like subway cars hurtling down a track…

(although each car had a beginning and end, the train itself was endless, and what's more, it was travelling forward in its endlessness, creating another beginning, middle and end within another endlessness...)

One strange thing about the evening was that there was never a single minute that i wasn't between the two of them, as a barrier or divider of some sort. They're still on about whatever they're on about...which meant that they refused to speak to one another directly but told me whatever it was instead.

I didn't really give a shit. I often sing-songed things twice, three times, and I still couldn't be sure anyone was listening...

Car to car...station to station...It was TRUE, then me, then Sterling. People looked up as we passed though. Some give barely perceptible nods of approval, some merely stared and put their filthy fingers in their filthy mouths.

"Not-to-worry," I said, "In the movie version, these will all be the beautiful people."

They both laughed.

"In the movie version I'll be wearing a cape and a crown," TRUE said as held onto the pole in the center of the car as the train screeched into Union Square.




flagrant disregard





by TRUE



back in the day my name was Kid. my boy's name was keys, cuz he was a genius on the piano. this was 92, 93...we cut class and drove down crackhead lane, to where our friend A. lived. what i remember most about the place was that all the furniture was covered in plastic and all the curtains and shades were always drawn. i loved the dark, coccoon-like vibe. it always smelled of incense and after shave and spanish food that someone's girl was cooking in the kitchen. the various bands A. played drums in would come by to practice in the basement, and keys was of course true to his name and got in there on the keyboards. there he was--10AM when he was supposed to be in chemistry class with a nearly full ashtray and a glass of beer at his side, his glasses slipping off his face as he went deeper and deeper into the deep funk groove that was opening in the floor underneath him. soon he'd be dead to the world. the entire house could collapse around him and he'd keep right on playing. id watch for a while, but then i'd get restless and when no one was looking i went upstairs, to one of the first floor bedrooms where A.'s brother Peanut ran the family business, selling what everyone fronted like was weed, but was in actuality smack.

Peanut was small and misshapen, with a perfectly round, bald black head, immense shoulders and neck and a tiny, almost nonexistent waist and ladylike hips. he always wore sweatpants and he always wore them low. on top was a brilliant white undershirt over which he draped a silk or linen shirt that he left unbuttoned. it flowed about him like a cape. i knew he was strapped but i knew better than to look, although i always got the feeling that he wanted me to. his arms, while immensely muscular, were slightly foreshortened, which made them fascinating to me. they reminded me of action figure arms. i'd sit beside him on the bed while he stuffed baggies and watch the different bands of muscles move up and down. his skin was covered with raised pink scars. everywhere except his face, which was perfectly smooth--the skin drawn downwards, giving him the thoughtful look of a buddha. it helped too that his eyes were little slits--not because he was on anything. he didn't do drugs himself, that's just the way his eyes were.

at first when i came poking around he told me to get lost, but then he saw that i was smart and quiet, and the fact that it was heroin didn't seem to bug me, so he let me hang around. gimme that, kid, he'd say or reset the scale, kid...i'd sometimes catch him checking me out as i bent over to grab something but he never acted out of line, and on the contrary treated me with the kind of respect he might show another adult dude. i'd been working after school jobs since i was 13 but this was the first time i got to see how a business really ran. Peanut liked to joke around and act crazy, but when it was time to make money it was time to make money and everything became very serious. the musicians would come up stairs, one at a time, to make a score. they didn't see me, nestled between the side of the stereo and the wall and a big green bean bag that kept me hidden. i think some of them knew i was there, though. i heard their voices and i knew who they were, but the facts of the situation almost made them seem like different people...the shaky humorless jokes they made, the slightly defensive posturing...Peanut knew how to handle it all. while he never pitied their cravings, he somehow managed to honor them. they were, after all, his livelihood. i witnessed how he could diffuse a situation and rewire it, so that it worked for him.

i worked to adopt his poker face, and his manner of speaking slowly, which gave the impression that each word was chosen with care.

soon, i was heading straight for Peanut's room as soon as we came over, much to the chagrin of keys, who pretended it didn't make a difference to him whether i listened to him play.

maybe i've finally found something i'm really GOOD at, i thought.

peanut and i listened to jodeci, boyz II men and bobby brown while we measured, weighed and stuffed. i can still remember the feeling of honor when he finally let me count one of his wads of cash. his breath always smelled like hot cinammon certs. he told me about his girlfriends and showed me pictures of his kids in their school uniforms and told me that if i ever tried H he'd beat the shit out of me.

then there was that time he ran out for a second and an immense, murderous looking man managed to slip undetected through the front door and stood before me in the center of the room with his arms at his sides.

"where's peanut?" he wanted to know. he had a heavy jamaican accent.

"he'll be right back," I said...surprised at how easily i was able to speak. i was sitting on the bed, hugging my knees to my chin as i had been doing before he arrived.

there was a moment of silence, in which he looked me up and down. i was wearing an indie rock t and baggie jeans, not quite the hootchie gear he would have expected from a white chick on Peanut's bed.

"what the fuck, little girl," he said, "you gonna try and tell me yr peanut's bitch?"

"you gotta problem with it?" was Peanut's reply as he appeared behind him and pressed his foot into the back of the man's knees, causing him to buckle and loose his balance.

he stumbled forward and came just short of landing upon me on the bed, before he turned and broke into a wide grin.

"hahaha--y'all are crazy!" he shouted and proceeded to laugh like it was the funniest thing in the world, but peanut didn't smile, he just stood there, looking at the man and then back at me, and i noticed that he was breathing heavily, his nostrils flaring in and out as though he were upset.

and the feeling of everything always being OK was pulled aside for a few seconds, like the veil that covers the minister's disturbed and disbelieving face as he dutifully carries on with his sermon, revealing in its place a spinning world of pain and mistrust--a dark world of horrible endings and bent and broken souls...

i lit a cigarette and folded my hands in my lap. i could hear the blood pounding in my ears...

that was more or less the beginning...the first push or plunge or whatever...

...all the other shit fell like dominos after that.



radio












The Loins Dark Twists

by TRUE



Everything is Fair When You're Living in The City.



I'm always amazed when I see a handmade halloween costume with elaborate details, or a parade float covered with rose petals, or a gingerbread house, or a space shuttle made out of sand...or how about a perfectly geometrical jello sculpture done in three flavors?...anything that requires time and care to create but doesn't seem to serve any meaningful or lasting purpose.

that said, i completely understand the urge to create disposable things...especially costumes--the kind that you can keep making into new costumes.

it's putting in all that time and effort that baffles me



before BRANDTRUEBOY i used to ride the trains late at nite and put up the stickers i'd made at kinkos in the afternoon. i had a whole bunch of different ones--im not going to go into that now. what i liked was being out, although it was a totally bogus excuse, as i was just as capable of putting up a sticker in broad daylight. fuckit i'll wheatpaste in front of people. what's the worst that's going to happen? i got chased and screamed at by shop owners but no one else ever gave a damn. it was great and scary at the same time, because i really kept expecting that in the next second someone would try to stop me from putting up page after page of art, but they didn't...it was eye and mind opening--i realized that there was all sorts of space out there, free for the picking.

i love the city at nite

when everyone is out and you walk down the street with that swirly, two-headed monster feeling



i derno...i feel like i'm just receiving the message right about now. i was sitting across from fitz and suddenly his head just kinda trailed out towards the window, all pyschadelic and shit...that's what it's about, that's what the last couple of weeks have been like--i'd be lying if i said otherwise.






the cold just knocks me out; all that steam rising


Drop

by sterling



Time stopped, but I kept moving.

That’s what it felt like the second the white wine that I had thought was water hit the back of my throat.

One part of me slouched forward into the cloyingly sweet never never land and disappeared into the blackness of a poison pupil slit.

The other part sunk backwards and held it’s ground… “No!” It screamed at the evil eye, “I don’t want this! This is the evil shit that had me in its grip once before…”

I immediately spit what I could back into the glass, but it had been a big gulp and I had already swallowed some.

The girl I'd been talking to gave me a half-hearted, sad look

I felt the drop burn a path all the way down to my nearly empty stomach, where it exploded into a zillion vapors that rose up like chemical steam off a chemical burn—rising up through my body, radiating through every molecule and filling every gap with its fumes.

(wherever one part of me ended and another began)


It was as though i was a petrified sponge, left out for millions of years in the arid desert sun, and now the mere memory of water was passing through my crumbling nooks and crannies.

I’m a lusty, sinful person. I use a lot of bad words and I have a lot of bad thoughts. But in those minutes after I drank the drop of wine, it was almost like i was praying again—

please please

somebody help me out.

It was enough to make me loose my balance a bit, as I struggled up, answering others that I was fine, it was OK, no big deal

(meanwhile, inside i was thinking oh shit, oh fuck!)

i got some more water…i ate some food. Crackers and chips, breaded chicken and teriyaki sauce, melon and bleu cheese (which i really hate, but i thought it would at least get rid of the taste).

just let me get through to tomorrow


I mean, i never have chocolates with booze in them, wine sauces or rum cakes. i don’t use face wash with alcohol in it. That’s how far away from it i’ve tried to stay.

Sure, I still hang out, in bars and in clubs and at parties where everyone around me is getting their drink on. People can do whatever they want and it doesn’t matter. Except smack—I can’t handle that. And if they’re really, really, drunk. Then it’s time for me to go. Otherwise it’s fine. Go for it—and you don’t have to ask.

I will not allow an open bottle to be in my vicinity if no one else is around.

tomorrow, tomorrow, tomorrow

i’ve come a long way. a long fucking way since when i was crawling around on a piss covered floor, trying to scoop up the drugs i’d drunkenly dropped…i’m a long fucking way from the nights of never-ending torment, the highs and the lows, the grinding of teeth, the pains i’d get when i was having sitting or eating. the way my mind would shut off and on like a TV and i’d talk a lot of shit and get into fights, push people down stairs, pay off others to drive me far, far away…

where no cell phone would reach…a cabin, with just me and the fellas and the drugs and the booze and the stars and the snow and a long walk in and i thought it would all be OK. we’d just bounce around for awhile in the stratosphere and then we’d come down eventually. we’d make amends and get real jobs and it would all just be fine. i didn’t get it. i didn’t see. i was like the people who stand at the edge of the platform, with their necks craned, waiting for that first orange light to raze the tracks

i was like all of those silly people, who think it makes a difference if you can see the train coming.

i thought i had my eyes open the whole time, but i still missed it when something really happened...

torn between saturday nite and sunday morning…

i was folded up and acting out.

i had the ladies from the eighties when i was fourteen years old.

i am so much younger than that now.




jamie




New Age

by TRUE




Ancient Voices speak of fighting demons with demons, as a Second night settles over the City, illuminating the shadows with its darkness. I am standing at the edge, feeling the tug of skyscrapers between which an infinity is rising up…

…an inexorable figure calling to me against the background of the things that are here.

(And if so that something might happen, I were to make a vow?)














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