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Max Headroom

by TRUE



Blogging is like having it out with the two separate personalities which already inhabit our singular bodies. There's the one that lives and does in the world and the one that the one that lives and does fantasizes over being. Not necessarily becoming--just being, for a few magical minutes. Just enough to cum in--a brief, hardcore sex scene amount of time in which you're someone else. The comparison to yourself could be very narrow or very wide. Perhaps your other is identical to yourself except they possess greater confidence and sexual prowess. Maybe it's a difference of having an extra 2 inches. When you write about yourself, you have to pick one of these perspectives. Which are you in your blog? The work side talking about the idealized side or the idealized side talking about the work side? By 'work' I mean 'world'. And by 'world' I mean anything from InstaPundit to Plasticbag.org, something informative, it doesn't matter about what, as long as the emphasis isn't on the author. While it's true that Plastic's author, Tom Coates, does make plenty of references about his own tastes and propensities, (some of them interesting); he's writing about his tastes, not his psyche or inner dramas. As a youngish, gay British man I know he's got some issues but he keeps them quiet--as that's the part of him that's doing the writing. It's the neurotic, frenetic whirling of his schisms that keeps him up at night at his computer, pouring out his ideas and opinions about everything from tech to movie reviews to future web trends. That's the work of the edgy, vaguely ambitious chap of whom he sometimes catches a glimpse, turning sharply in the opposite direction as he passes a High Street store window.

I want the idealized self. I want the lie.

I want it so badly that I'll become it.

Blue-white lightening, flashbulb flashes. Rain and Synthesizers.

Let's head over ground, I tell the driver…

Ancient Voices speak of fighting demons with demons, as a Second night settles over the City, illuminating the shadows with its darkness. I am standing at the edge, feeling the tug of skyscrapers between which an infinity is rising up…

…an inexorable figure calling to me against the background of the things that are here.

(And if so that something might happen, I were to make a vow?)






Give me daughters...and make them 1-2-3...

by sterling

As I don’t have any contact with my family, Thanksgiving is a time for me to reflect on what I’m doing with my orphaned-ass life. Their absence makes me hyper conscious of who I am in relation to them. In their eyes, I’m the sinful hell-bound dyke, the crazy motherfucker who sliced her own fingers off in order to get kicked out of Timothy Christian. How bad they think I am will always be a source of pride for me, even though I stopped beating my brains, as the song goes, with the liquor and drugs. It’s been an uphill battle. For over a year now, I’ve been commuting, paying bills, combing my hair down in a smooth part every morning, wondering if after everything, this is the pathetic little life that I’ll be left with. At night I feel cityscapes and starscapes projected across my chest—the gilded domes of Oxford and the Vatican, the baroque railings of South American apartment terraces, the Black Forest shrouded in thick mist, Mt. Kilimanjaro turning blue and gold at sunset and so on--scenes too achingly beautiful, too expansive in scope to hold in. I feel the call of a thousand artists and thinkers who came before. “Join us, join us,” they seem to be saying. Faces appear in clouds—words are highlighted on billboards. But they don’t tell me how to reach them—they don’t give me the secret key that will unlock the door.



When I get home I’m often too exhausted to cook, so I pop open a can of Chef Boyardee Ravioli and eat the slimy slugs cold. I can’t even be fucked to pour them out into a bowl. I stir them around with my fork and listen to the horrible sloshing sounds they make. How am I going to gather the strength to sit at the computer? Am I really going to work on those tracks? Is it all just a joke? Am I just another fake—a copy of a copy of a copy of an artist, one of those girls I read about in Shout magazine, who put out her own third wave feminist zine when she was 15 and was published by a real house two years later, who wears her thrift store jeans better than I do and cuts her hair with safety scissors and takes really great black and white photos, not the instant camera tourist bullshit that I agonize over before cutting into tiny squares and sprinkling into the trash.

Then there’s fucking Will Oldham, who by 25 had made some of the greatest tunes ever, or this new guy, Conor Oberst, who (based on the links TRUE provided in her post) started making indie rock when he was 13 and is now a superstar at 22.


(link)

My mother had me when she was 25, but that’s not the point.

Should I send out some samples to folks looking for writers on Craig’s List? Do I dare disturb the universe?

The day before yesterday was the day before Thanksgiving, so we had early closing. Even though I felt empty and flat, I forced myself to go to the gym and put in 30 minutes on the treadmill. The whole time I stared at a nearby place board advertising a sale on personal trainer sessions. There was a picture of your typical Santa Claus and the words “Because being fat and jolly is overrated.” The world “being” was level with my eyes—I felt it pressed into my skull as a club mix of “What a Girl Wants” thundered through the room. Was it really so hard to imagine a life without TRUEBOY and Fitzcarraldo? If I never spoke to either of them again, would it be such a big loss? Maybe I’d have a better chance of getting famous on my own. I’d have more time to concentrate and get some real work done, without all the bullshit drama.

I left the gym and walked through the gray canyons of midtown skyscrapers. I wasn’t heading anywhere in particular. I thought of calling P., my old dealer. After all this time I’ve still got his pager number memorized. It’s set to the 1-800 Mattres (leave the last ‘s’ off for savings) jingle in my head. I wonder if it still works. I have this bad habit of thinking that a person has disappeared after I stop calling them. I talk about them in the past tense, as though they’re dead even if they aren’t. Eventually I took off my shades and shut off my Walkman and let the sounds of the street filter through my ears. That’s something I got from TRUE—tuning into the street when you feel like shit. When I had my drop top, she liked to ride around with the top down, even when it was freezing out or 100 degrees. I thought about her with her Timbs up on the dash as I walked dazedly through the holiday crowd. Steam rose up from manhole covers and the smell of honey-roasted peanuts wafted through the air. The entrance to a subway appeared and without thinking, I turned and jogged down the stairs. Inside, kids were breaking to Run DMC, the beats reverberated off the tiles like they were in a bathroom. It was a scene played many thousands, maybe hundreds of thousands of times in the city since the birth of hip-hop, although now it had a touch of sadness to it.

I pushed my way through the crowd until I found a spot, then I slouched and folded my arms, trying to differentiate myself from the suits and handbags around me. One of the dancers completed a perfect headspin—defying gravity and pain as his entire body weight was pressed down upon his head and neck, with only his black Armani skullcap separating him from the floor. When he was finished, he jumped up and stared back at the crowd in disbelief at the lackadaisical applause his move engendered. I noticed that he had burn marks on his cheeks. They looked like frozen pink tears on his brown skin.

“C’mon, y’all!” he shouted, his voice filled with anger and resentment. “W’sup, y’all got give it up. You know you can’t do that." He swirled a finger in the air in reference to the beautiful gymnastic feat he'd just entertained us with.

"Give it up!” he shouted. There was a smattering of applause and some milling about as people decided to be on their way. The performer was breaking an unwritten rule by getting pissed off at his audience. He scanned the sea of mostly white faces in front of him and exhaled wearily, dismissing us all—everything we were and ever would be.

“Snakes and liars,” I heard him mutter, as he sauntered back to his place in the line of dancers. “They all know that none of them can do that shit, but still they won’t give it up.”

I walked away thinking about this kid and all the others in the city. The line “Carved by love and carved by switchblades” was stuck in my head. It was an old Jonathan Fire*Eater lyric. They were coming up at the same time we were, back in the late 90s. They signed a million dollar deal with DreamWorks. Things looked really good for them and we were all jealous, but then Stewart’s smack habit got out of control, their debut album sucked and the press turned to England for the next big thing.

They’re all broken up now, but we’re still here.

Kafka: The Blue Octavo Notebooks

by TRUE

(Beginning of the Eighth Notebook)

I am in the habit of relying on my coachman in everything. When we came past a high white wall, slowly bulging at the sides and at the top, and ceased to drive ahead, driving along the wall, touching it, the coachman finally said: "It is a forehead."




(link)

Breaking the Fourth Commandment...

by TRUE

My God is Biggie and he reiterated the old adage, "Never get high on your own supply," but the devil made me do it, and that devil's name is fuck-them-all-boring-ass-Omaha. His last name is Fassbinder. But whatever, I'm not going to talk about the last post, or any post or unwritten letters or mute rappers or the fuckin photgraphic memory that I no longer have. I want to write about how happy I am to be in this indie chick's room right now eating Rocky Mountain trail mix, our greasy fingers touching in the bowl while she let's me have all the M&M's. Why is it that I only feel like I'm gay when I'm fucked up? Wait, don't answer that one, it's a freebie. All I can say is that I'm looking forward to doing tons more fat lines with this chick in the tight blue jeans and watching The World's Wildest Police Videos and getting turned on by the 30 second phone sex commercials and compensating for all the energy, the handcuffs, the flashing lights and lives being flushed down the toilet without the benefit of a blurred out face or a floating blue fucking dot by calling up and ordering one of those albums advertised with the 1-800 numbers, fucking "In The Closet and You Know It Dance Hits" or "I Wish I Hadn't Smoked The 80's Away Crap Rock".

It'll be on when she hears me pay with a C.O.D. I think she's like, 17. I feel like chicken tonight!!!

Eternal Incompletion; the time is out of joint

by sterling

I march through the park, down the avenue--untouchable, everything remains on distant sidelines, like a Pink Floyd album cover. One of the last sparrows in the city hops alongside me as a 747 moves through the cloudless sky. There's a young Mexican family, dressed in sports casual. Track suits and logoed sweatshirt jackets and of course, the ubiquitous baseball hat. There's a Black guy trying to sleep on a bench between the staircases for the 1 and the 9 and the 2 and the 3, a white guy peering into the overstuffed trash. I'm glad everyone's doing exactly what they're doing, I wouldn't have it any other way. All the freaks and the losers. But I'm alone in the city.

All this time I've wanted a time out, a pass, a chance to count sheep. Maybe to fuck around with some girls--race a car or a bike or two. But now that she's gone, and I'm by myself, I'm berated by thoughts of her. In a way, it was better before Saturday. At least then, when she hadn't posted, I could fantasize that she'd been hit by a truck. So what if it's hyperbolic...but to have hardcore proof that she's alive--and making cash, no less. It's bittersweet like sour apple Jolly Ranchers. It makes me head out into the street, looking for trouble.

It used to be that no matter what she did--what stunt she pulled--I'd go along with it, say it was cool even..."Just keep representing TRUE, I don't give a fuck, as long as you represent..."

Things have changed.

Underground vibrations rattle a row of aluminum garage doors. Above them a sign bears only a telephone number. The kids on bikes call out to each other in Spanish, a Labador pokes hurriedly around a mailbox. The gutters are lined with trash and white daisy petals.

I'm choking with it, this surge of life and love, too violent in its uprising to be permanent. Now I'm suped-up, ready to blow-up, if not for these difficult loves strapped across my chest.

Styrofoam containers scrape along the blacktop in the sudden breeze which lifts the pin faces of the bickering Polish housewives towards the far end of the sky, where the gleaming Twin Towers used to oversee us all.

Omaha tagging...

by TRUE



On mailboxes, World Herald newspaper boxes, Stop signs, boys and girls rooms, a city bus or two...

It's all virgin territory--a few OBEY stickers, but not much else...

I'll see if I can get a stencil or two whipped up. I'll peel off a few from my newly made wad and hit the local art store.

--T

KURL 2002

by TRUE



I’m in Omaha, Nebraska, selling grams and half grams of coke to indie rock kids and wannabe indie rock kids. Everyone is earnest and hardworking and very welcoming. They live in big, drafty houses with slanted windows and sloping wood floors. I stand out on the front stoop with my shoulders hunched and tree lined streets twisting all around me, a cardboard cup of sugary black coffee steaming between my hands. This is real America—closed off, hunkered down and full of food. You can almost smell the fat of the land. The indie rock kids have artfully disheveled hair and blue eyes. They think I’m one of them and are surprised to find out I’m from New York. “What are you doing here?” they ask, as they let me through the front door and lead me directly into the basement. In Omaha, all the action takes place in basements.

“Right now I’m selling drugs,” I tell them. Presently, I’ve got 24 tennis balls filled with coke in my canvas Army duffel bag. My guy in New Mexico (whom I met through my guy in Minneapolis, whom I met through a friend of a friend of Will’s) showed me how to pop open the balls along the seam and slide the baggies inside. Once filled, the balls still bounce and everything, although you probably wouldn’t want to risk smacking them around with a racket. My guy told me how kids toss the balls out of car windows to runners waiting on corners, eliminating the need for a suspicious exchange. How ingenious, I thought, turning the stuffed ball over and over in my hands, until the shape of the concrete gray seam burned itself into my eyes.

I sat on an under stuffed, stained couch listening to a skinny, pockmark-faced prodigy emoting his guts out over the jangle of secondhand guitars. No matter where I am or what year it is, the rock n’ roll story is always the same. The band try hard to be naturals while the significant others (in this case, all girls) drink PBR out of cans and cautiously snort tiny lines of the stuff I provided. Some of them are only 15—ill formed bundles of tits and hair and geo-political concerns. They stare at me and when I catch them looking they quickly blurt out that they like my bangs. I feel like telling them it’s OK, I don’t know what sexuality I am, either. Meanwhile, the guys invite me to shows, shows and more shows. Having a dealer around provides a much needed sense of validity. Now that the first wave of Omaha bands have made it big, there’s a whole set of kids eager to follow suit. They’re obsessed by Connor Oberst and Saddle-Creek Records and the scene that they created, but if you ask them about it they’ll flatly deny it. “Oh, yeah, I used to listen to them, before they sold out.” Over a communal meal of Boca burgers, rice and pinto beans, they solemnly inform me that they’ll never appear on MTV. Someone produces a copy of the NY Times magazine from last week, in which Conner Oberst is prominently featured. Everyone scoffs. “Getting into some corporate mag is not what this music thing is all about,” the lead singer states, “You know what I’m saying?” He stares at me, his eyes full of passion. I stare back at the line of whiteheads on his forehead and don’t say a word, my mind completely blank.

By evening the place is packed and I unload a few more balls. I don’t feel like a party so I borrow someone’s parka and go out to the garage with Kafka’s The Blue Octavo Notebooks tucked into my jeans. Lately, it’s all I can read. Out on the driveway I see some girls playing Double-Dutch in the setting sun. I wave at the mother across the street and motion to her that I’ve got the girls covered. She waves back and goes into the house. It’s amazing how trustworthy people are out here. I could be anyone. I light a spliff and watch the treetops burn orange. The telephone wires and TV antennas are in silhouette. I relax into the rhythm of the ropes slapping the ground. Behind me, in the house, New Order is playing:

“I lived my life in a valley, I lived my life on a hill
I lived my life on alcohol, I lived my life on pills…”

Suddenly one of the girls shouts and points up to the sky. The jumper stops jumping and the rope turners drop the ropes. They slink around on the driveway like live snakes before becoming still.

“What is it, what’s the matter?” I run over and look up.

“What? What?” I demand.

“There! There!”

Then I see it. Something burns brightly in the sky above our heads. An aluminum colored curl hangs out of the dark blue twilight, as silent and gray as a ghost. My mind immediately races through the possibilities: a trick of the light…a plane…a meteor or some other astronomical event. None of these seem to fit the apparition that we’re seeing. It’s happening! I scream out inside my head, but I don’t know what. There’s something oddly familiar about the shape. I feel a fear in my chest—the fear of being watched, but as the lone adult in the front yard, I quickly suppress it. The curl vanishes in the next instant, as though brushed away by an invisible hand. A few seconds pass before the girls turn to me, pigtails and puffy jackets, eyes wide and blinking.

“What was that?” they want to know. “In the sky. What was it?”

“That? Oh, that was nothing, just a satellite,” I say, quickly scanning the street to see if their was another adult in view. There were no moving shapes among the mailboxes, trashcans and parked cars—no one to run over to and scream, “Did you see that? What the fuck!”

“Yeah, we put satellites way up there in the sky, so they can take pictures and send pictures back. For TV.”

“We have a satellite dish,” a buck-toothed red head announced.

“See? There you go. No big deal.”

“We have 171 channels.”

“Really? That’s great. But I bet sometimes you still can’t find anything to watch?”

I joked around with the kids for a little longer—laughing with them made me feel better too. But I wanted to get inside. It was dark and cold and the street didn’t seem so friendly anymore. I went across the street and told the mother I had to be going, keeping my eyes low while she thanked me so that she wouldn’t see that I was lit. As I headed back across the street I heard the girls chirping about how they saw a satellite in the sky. “That’s nice,” the mother responded, before the door clicked shut. I breathed a sigh of relief. If everything was still OK in her world, than it was still OK in mine.

It wasn’t until an hour or so later, when I was counting my tennis balls and packing them in the middle of my duffel bag, that I realized the shape and color of the seam that had fascinated me so much was identical to that of the mysterious phenomenon I’d seen in the sky.






Coney Island, Baby

by fitzcarraldo

Drove R.'s jaloppy down the Beltway with its mostly mad drivers. I was quite surprised when the scenery switched to long stretches of flat green fields. What are they doing in Brooklyn? I could have been in the middle of nowhere--except for the faint glow of a bridge's red lights on the horizon. Everything was grey, washed out--the streets flushed out like an open sore. School kids and old men looked like space explorers in their bright puffy jackets, squinting in the mist, waiting for the light to change so they could cross the four lane intersection.

I pull up to the beach at Coney Island, famed paradise for burn-outs and dirty freaks living the rock n' roll life. This was my first pilgrimmage. I was expecting the beach to resemble a huge ashtray, but it was remarkabley clean. I walk out to the surf in the neon green Doc Marten boots I'd donned for the occasion, singing: "I guess it's healthy...I guess the air is clean."

I'm immediately mesmorized by a row of white caps, jostling each other for position before they rise up all at once and smack down like the hand of God herself. Before I can get over this, there's a line of even taller waves, rising up behind the spray and the foam. I realize that my recent, undetermined fascination is with nothingness itself. I'd thought that there was some-thing behind it, but I was wrong--it's nothing itself that I long for. I realize this in the whiteness of the crash; an awful pressure flattening my lungs, erasing all maps.

What do I want? What should happen next? It's true that I'm reevaluating our little trimumverate here. TRUE is MIA somewhere out west without any explanation or so much as a "hey, what's up?" phone call to the sick crew back at home. I guess she feels that the occasional, cryptic post on that purloined titanium laptop should suffice. Whatever for you, Ms. Thang. The other one, Sterling, isn't much better. While she's physically present, she's blasted off on some expressway in her skull, where she thinks she's all that and a fat bag. I think you need to cut back on all that lifting at the gym, my healthy little raisin. Spend some time making some art that matters--not this looped movie, reconstructed New Wave sample electro album bullshit. Get those three fingers out of your cunt and make something that isn't COMPLETELY self referential.

I don't know...I feel like I can and should talk to you this way because we're trying to accomplish something here. Or at least that's what you two fooled me into believing, when I was all set to pack it in and head back to Europe.

Please don't misunderstand me: It's not about being hardcore about something. It was never about that--even when I was with those punks on Avenue C. Then it was about wearing my jeans in a way that looked good. I was 20 and didnt' give a shit. By 25 it was all grinding to a halt. Although I went around scared and convinced that something was wrong with me--only I didn't know what--I still managed to spend a certain number of hours as a genuine star, if only a temporary one, 4 AM in a shoebox-shaped club filled with men. I thought that was the answer: I thought I wanted to be wanted.

Now I just want what other people have. I stare at the everyday people on the street, trying to parse the truth of their lives. It's not this or that specific thing that I want from them...it's nothing...it's everything at once that I want.

(coney island baby)
...And you start thinking again
About all those things that you've done
And who it was and who it was
And all the different things you made every different scene...

...Yeah, but now, now
Glory of love, the glory of love
The glory of love, might see you through...


This sinking anthem, that you hold so dear...

by TRUE

When the kids had killed the man I had to break up the band.

The Fitzcarraldo,The TRUEBOY, and The Sterling Fassbinder

by TRUE

as found on patchmonkey.net:


-----------------------------------------------------

9/24/2002

The Snake, The Farmer, and The Heron

A farmer was once working on his land, when a snake came up to him and said he was being chased by a lot of men.
"You must hide me," said the snake.
"Where can I hide you?" asked the farmer.
"Just save my life," said the snake, "that's all I ask."
The farmer couldn't think of anywhere to hide the snake, so he crouched clown and allowed it to creep into his belly. When the pursuers came up, they said, "Hey you, where's the snake we were after, it came your way."
"I haven't seen it ", said the farmer. When the men had gone, the farmer said to the snake, "The coast's clear-you can come out now."
"Not likely," said the snake, "I've found myself a home."
The farmer's belly was now so puffed out that you would have thought that he was a woman with child. He was about to set off for home when he saw a heron. He beckoned to it and told it in a whisper what had happened.
"Go and squat," said the heron, "and when you've done, don't get up--keep straining until I come."
The farmer did as he was told and after a time, the snake put its head out and began snapping at flies. As it did so, the heron darted forward and caught its head in his bill. Then he gradually pulled the rest of the snake out of the farmer's belly, and killed it.
The farmer got up and said to the heron, "You have rid me of the snake, but now I want a potion to drink because he may have left some of his poison behind." "You must go and find six white
fowls," said the heron, "and cook and eat them-that's the remedy." "Come to think of it," said the farmer, "you're a-white fowl, so you'll do for a start."
So saying, he seized the heron, tied it up' and carried it off home. There he hung it up in his hut while he told his wife what had happened. "I'm surprised at you," said his wife. "The bird does you a kindness, rids you of the evil in your belly, saves your life, in fact, and yet you catch it and talk of killing it." With that she released the heron and it flew away. But as it went, it gouged out one of her eyes.
That is all.

Moral: When you see water flowing uphill, it means that someone is repaying a kindness.

by TRUE

Please don't put your life in the hands
of a rock n' roll band.

Blog Babe Covergirls

by sterling

In an effort to gain composure over my raging nether regions (which smell, BTW, like the warm sheets scent of the most heavenly summer morning, complete with fresh pastries and spiced tea on a silver tray--a perfume that Mr. Fitzcarraldo will never EVER awaken to in this or any other life--you fucking loser!) I've taken to cruising the web for hot female blog babes who know how to write and/or design and/or make me laugh. It's kind of like work. At least until Young & Hungry finds the time in his busy schedule to lay the next track on Leibling Farbe. Fuck the rest, that album's going to be the best. My goal is to be like the Jungle Bros. were for the Native Tongues movement in hip-hop--a cornerstone for the next level in this whole Electroclash thing.

Anyway, here's a pic of Blog Babe Covergirl A, Ms. Jenny, followed by the Nov 7th post on her site:

*****************************************


2002-11-07 || 4:12 p.m.
|| ringo starr ||
yesterday i was left to my own devices and it was lovely, kind of like that sidetracked part of 'hard day's night' when ringo leaves with his camera and wanders around the city. i kicked cans on berkeley streets and critiqued pieces for my workshop while seated alone at a noodle shop and wandered around the newly renovated library.
i got a new library card. it's gold.
i smoked a cigarette with an old homeless lady and left messages from a pay phone. i had the best tea ever, english breakfast + milk + honey in the most perfect celestial proportions. i wore lipstick. my knee socks and scarf matched. i walked around holding twenty copies of my chapter wrapped in paper to my chest and felt decidedly collegiate, especially while crossing crosswalks looking wistfully into headlights.
so emo. so cinematic. so fun.



****************************************

OK--so I can't load up the pic for some reason. Check here for it--she's the third pic at the bottom of the page. Oh, darlin' Jenn, if you're out there reading this, know that I'll rectify the situation shortly. No covergirl of mine shall be long without her cover!

FUCK YOU, BITCH.

by fitzcarraldo

I can smell your cunt from here.

--f

by sterling

by sterling

I don't know what's wrong with me. I mean, I do--but that's OK.

That last post was nearly hysterical. This one will be as well, I'm afraid.

I spoke to Fitz about an hour ago and I just about lost it. Where was TRUE, anyway? No posts, and of course, no phone calls. Was she out there alone, no money, wandering the streets, deep in Mexico? Wearing a cowboy hat?

He came by and we stood out on the sidewalk. The full moon shone down upon us like movieset lights, the street glistened with rain. I was upset by Fitz's presense--I would never understand his sense of loyalty. All his fucking talk about how what I really want is a master, that whole Lacan bag that he laid on me after I admitted that I wanted to fuck my boss, who happens to be male. So what if M.'s name is the same as my fathers'? Maybe I'm just that kind of girl, just that kind of dyke.

I guess what I'm trying to say is that what the fuck, I want to get fucked.

Fitz was getting in the way of me and my fantasies. I wanted to be alone. I closed my eyes and had a waking dream, in which I turned and said, "If I kill him now, well who's going to miss him?"

Later, safe inside and by myself, I can relax--maybe get some work done. Sometimes it's not worth it to go out, it's too much work. It's easier to just stay home and play with myself, in front of the TV.

Buggin out at the computer with a cheese sandwich

by sterling

Ever since I overheard someone on the street remark, "Bjork is so 90s", I've had a hard time getting it out of my mind. Admittedly, I listen to her less than I did. I remember that time in London, early morning with Goldie pulling it out in a club, and Bjork strolling in, wearing some hooded fake fur. Or maybe it was a big, fluffy bonnet. Certainly there was a cape. And she strolled up to the dj booth where Goldie's bleached waves were plainly visible, as he hunched down over the turntables, shirtless beneath his satin jacket. Suddenly, a microphone was produced and Bjork was scatting over the furiously pounding beats. She was screaming and moaning, not to mention cha-cha-chaing. I thought she was the shit.

Truth be told, I don't think anyone's really the shit nowadays except for me. With my shades and my hair, I've got it fucking going on. I take Bjork out of the stereo and put on John Lennon. It's different with him. I don't even question these things.

Why is that? Because every one's always told me to? Because he was in the Beatles? Who gives a fuck! Except for whatever samples you can rip out of those songs, which incidentally, is a lot. And I'm not just thinking about the weird-o sounds like the carnaval-esque backmasking interlude in "For The Benefit of Mr. Kite" on Sergeant Pepper, but also the fantastic, pseudo doo-wap vocals Lennon pulls off in "Just Like Starting Over". They'd both be great for hip-hop--two songs just begging to be mined and stripped, until they were like old racing cars rubbed down to the silver and propped up on lime green cinderblock in the frontyard.

Some things are just great--in essence (the first, single thing you know about the thing when something you see or hear makes you think of it) and in parts (the threads, and the color of the threads--everything was royal and important). There's been a lot of great fiction over the years but certain writings have everything--words,ideas, descriptions, metaphors, stylizations, comedy, tragedy (10 shots to the dome). It's the difference between Flannery O' Connor and Shakespeare.

Or is that just because they made me like Shakespeare? All those teachers and Harold Bloom. NO--it's not just influence, something else happened to me when I read Shakespeare. Something about how the lines were undulating outwards like rows of hedges, lush and green, which somewhere along the middle of the play magically join together into a single labyrinth--the inevitable path of fate, with only one way out--introduced by a Fool and finished by a sword...

The World is all that is the Case...

And now, without further ado, the complete lyrics of Buggin' Out, the song I've got playing now...As TRUE would say, "If you don't know, now you know..."
.."Buggin' Out"
[Phife Dawg] Yo, microphone check one two what is this The five foot assassin with the ruffneck business I float like gravity, never had a cavity Got more rhymes than the Winans got family No need to sweat Arsenio to gain some type of fame No shame in my game cause I'll always be the same Styles upon styles upon styles is what I have You wanna diss the Phifer but you still don't know the half I sport New Balance sneakers to avoid a narrow path Messin round with this you catch ?the sizin of em? I never half step cause I'm not a half stepper Drink a lot of soda so they call me Dr. Pepper Refuse to com-pete with BS competition Your name ain't Special Ed so won't you Seckle With the Mission I never walk the streets, think it's all about me Even though deep in my heart, it really could be I just try my best to like go all out Some might even say yo shorty black you're buggin' out

[Q-Tip] Uhhh, uhhh, uhhh, uh! Zulu Nation, brothers that's creation Minds get flooded, ejaculation right on the two inch tape The Abstract poet incognito, runsss the cape Not the best not the worst and occasionally I curse to get my point across, so bust, the floss As I go in betweeen, the grit and the dirt Listen to the mission listen Miss as I do work, umm as I crack the, monotone Children of the jazz so, get your own Smokin R&B cause they try to do me or the best of the pack but they can't do rap For it's Abstract, orig-inal You can't get your own and that's, pitiful I know I'd be the man if I cold yanked the plug on R&B, but I can't and that's bugged

Buggin out, buggin out, buggin out you're buggin out (repeat 8X)

[Phife Dawg] Yo when you bug out, you usually have a reason for the action Sometimes you don't it's just for mere satisfaction People be houndin, always surroundin Pulsin, just like a migraine poundin You don't really fret, you stay in your sense ?Comafied? your feeling, of absolute tense You soar off to another world, deep in your mind But people seem to take that, as being unkind "Oh yo he's acting stank," really on a regal? A man of the fame not a man of the people Believe that if you wanna but I tell you this much Riding on the train with no dough, sucks Once again a case of your feet in my Nike's If a crowd is in my realm I'm saying -- mic please Hip-hop is living, can't yank the plug if you do the result, will end up kind of bugged

[Q-Tip] Yo, I am not an invalid although I used to smoke the weed out Ali Shaheed Muhammad used to say I had to be out Schemin on the cookies with the crazy boomin back buns Pushin on the real ?hardest? so we can have the big fun When I left for Rosie I was Boulevard status Battling a MC was when Tip was at his baddest It was one MC after one MC What the world could they be wanting see from little old me Do I have the formula to save the world? Or was it just because I used to swipe the women and all the girls I'm the type of brother with the crazy extended hand kid Dissed by all my brothers I was all up what my man did Supposed to be my man but now I wonder cause you're feeble I go out with the strongest and I seperate the evils it's your brain against my mind, for those about to boot out All you nasty critters even though you see I bug out

Buggin out, buggin out, buggin out you're buggin out (repeat 8X)
.



Strange, Sad and Bored @ Cafe Pick Me Up

by fitzcarraldo

Loves,
Might as well be in England! All is soggy, and the chill goes to your bones. Got some shooting done on Saturday. The park, the power plant--nothing special, really, but apparently I accidentally hit the record button while having a steamed milk at Cafe Pick Me Up . I managed to capture the dour mood without the slightest bit trying! It was the kind of afternoon when there didn't seem much to do except have fights and make up, unless you were alone, in which case all there was to do was drink your drink, skim your paper and leave ten minutes later, slightly warmer in your gut.







by sterling

A dark, rainy weekend. Girl from work had a birthday party at Centro-Fly on Friday night. I showed up after midnight and almost had to pay before one of the bouncers recognized me. "Haven't seen you around" he said, "and a Friday too, good Lord." I sniffed and made a face. "I'm sure your boss would like you talking that way." "Where's TRUE?" he said. "She's dead," I said, waited a second, and then busted out laughing at his stricken expression.

I settled in the lounge with a seltzer and my collar pulled up, nodding my head to the hip-hop: "I'm making short term goals, when the weather folds..." The birthday girl wouldn't leave me alone. I realized I made a mistake in coming as soon as I saw her silly drunken face. "I'm so GLAD you could make it! I was getting WORRIED!" Her voice looped in that Midwest way that makes me want to punch something. She's Indian and most of her friends were Indian, so I was something of an exoticism for her: a white dyke with a questionable past. I had my hair moussed up in a proper pompadour--not the usual soft side part I do for work-- which I could tell pleased her immensely. She introduced me to girls with the same olive skin, the same straight black hair and the same sleeveless, off-the-shoulder blouses from Bannana Republic or some shit like that. They might have been hot but I don't know. I didn't even feel like trying. I noticed how their eyes immediately dashed to my hand. Obviously the birthday girl had pointed out the fact of my missing fingers ahead of time, in some early evening, tipsy tell-all.

The thing was, I had known that I'd get a lot of attention--that might have been the reason that I went, but once it happened it was terrible, and all I could wish was that I was invisible again. What's wrong with me? I thought. I felt old, used-up and over it.

I cut through the dance floor, past the plastic honeycomb walls and the tiered, hanging lamp that looked like an upside-down wedding cake and got on line for the bathroom. Centro-Fly's facilities look like those of a nice Italian restaurant in Hoboken. I waited for it to clear out before I took my Sharpie and made some obligatory tags on the clean white tiles in one of the stalls. I heard some girls waiting by the sink so I flushed and came out to free up the toilet. They were both white, a brunette and a blonde, with long noses and great bodies. Cotton and acyrllic tank-tops, tight Italian pants. The brunette one gave me a desulatory glance before stepping widely around me. Her friend went in next door. I stood against the radiator, listening to them tinkling. Then they came out and went at their hair with heavy wooden brushes. They talked about some guy and why he was here without his friend. Or rather the brunette talked. The blonde just nodded and said, "Ah-hah," over and over. I got the feeling she was like me--sober but out of it. I watched as she expertly put on pink lipstick, blotted it on a papertowel until it was perfect, frowned, took a small square cloth out of her handbag, wiped it off and started all over again. I struggled to get a good view of the mirror, so that I could see what she would do differently. She leaned over the sink as though she were about to dive in, her perfect ass pouting back at me, telling me a thousand lonely stories of the unappreciative gazes it had received and the fumbling male hands that had failed to make it glow. By this point, her friend was getting suspicous. "Don't you have to use the toilet?" she asked suddenly, her arched eyebrows furrowed. She hadn't turned around, prefering instead to speak to me in the mirror. "I'm cool," I said, trying unsuccessfully not to sound like I was coming out of a daze. I made sure my hands were behind my back. She gave a sideway glance to her friend and mouthed the words, "Let's go." "Just a minute," the blonde said out loud. I took this as a victory. The brunette shrugged and slinked out of the bathroom and into the hall, where her shadow remained within earshot. I took a deep breath and licked my own lips as the girl blotted hers for the second time. "What was wrong with the lipstick?" I ventured. Her eyes darted up in the mirror, locking into place with mine like slot machine fruit. They were wide, cold. I forced myself not to look away and prepared for the "fuck off."

"I put it on too thick," she said, quietly. Her voice was low, like a movie star. I sensed something practiced about it that made me trust her implicitly. The glare in her eyes softened; I could almost read something in them--like a document under glass-- but then they were looking down, as she quickly scooped up her make-up and dumped it into her bag. Within seconds she was out the door.

I fingered myself in the stall she used, sitting on the toilet beaded with drops of her piss. It was like scratching an itch when you know scratching will only make it worse. When I was done I wiped my hand and my pussy off with the bottom of my Joy Division T-shirt and went back out to see the birthday girl.

i want to live and i want to love...i want to catch something that i might be ashamed of...

by fitzcarraldo



Darlings,
I'm in recovery mode after a night of debauch. Met someone at Luxx during the DJ Oil and Boyracer set. I used to see them on their Monday (read: no cover) slot, but it's been a while, and God, I'm so over it now. Sterling, I say drop your whole Liebling or Lieblings or Ding-Dong Farbe let's-cut-and-paste-old-New-Wave-into-new-New Wave now before it's too late. The whole Electroclash scene is going down as fast as a Boiler Room barback @ 3AM. Jesus, the only redeeming factor are the assymmetrical haircuts--and we all know that Wooster and Ann Arbor heroin chic kids circa '92 had that shit down way before the big BK (hey, I love the borough but I've got to call it like I see it, homegirlz and boyz).

Anyway, yeah, yeah, yeah-- I met someone. A big blonde Dutchman. (Too many muscles to be Kinsky-like, TRUE, sorry). I bought him a few Sam Adams at the bar and he told me about how he was enrolled in classes at the Actors Studio. "Wow," I commented, "They have quite the illustrious alumni." "Really?" He asked, completely serious, his blue eyes as clear as Canadian lakes. "Like who?"

Later on he got ripped off on some E and gave me one. I reluctantly took it. You know I think it's the stupidest drug in the world. Who wants to be happy and hugging everyone for six hours? I'll take a fat gram of coke anyday. Get things done--and it's a diet aid as well! But whatever, he was hot so I swallowed. (I always swallow.) We went back to his place, down the block on Kent. He asked me if it was kicking in yet. I said I thought so because I didn't want to dissapoint him. The pills were 25 bucks a piece. He went in slowly, building a romantic rhythm, but it was all just pressure to me--a localized thump and rub against my constricted insides. I closed my eyes and saw Elizabeth Taylor out on the edge of a Quay. I felt numb. I guess I was having a good time.



Daze Inn

by TRUE

…Over on the hotel television a comedienne handed out thousand dollar Bulgari pens like they were Snapples. I've faced the facts that my waiter is gone. I waited for him to bring home the bacon but he never came back. I’ve saved the last voicemail on my cell—even made a call to Verizon asking them not to erase it after the standard ten day period. In the message he’s telling me he’s going underground, where the angels can’t find him, and that he’ll be back soon. Strains of pop music and static chop up his words until all that can be heard is the amplified whirl of a modem. Or maybe it's his phone going out of range, a typical event out here. I pretend that he's been run over my an 18 wheeler. I press the phone against my ear--the impact and subsequent explosion sound like a tornado.

Got my spine, got my Orange Crush.



Lieblings Farbe

by TRUE

After a few, flat sober days, my new thing is to score weed in every city or town that I stop in. What constitutes a stop when you're on an award tour? I don't know. It's longer than pulling over to take a piss though. I think the qualifying thing is to have at least one meal. That links up nicely because waiters like to puff. I've got my pitch down. It works best if it's an off hour, so the place isn't packed with everyone running their ass off. I put my "smoke with the best of them" look on--shooting for a cross between Ferris Bueller and Notorious B.I.G., but as a girl. I wait until halfway through my meal to start in with the smiling. Once the heavy lidded soon-to-be-provider comes my way, I make some idle chat before throwing it down, "Soooo, what do folks do for fun around here." Usually, if I've put my chips on the right spot, the answer is something like, "Well, I don't know about anyone else, but I like to get HIGH..."

The rest, as they say, is blue bud history. So far I've got Fairplay, CO and Espanola, NM. I'm working my way down 285--as South as I can get by scamming rides.

Speaking of colors...I finally read your mega-post from the other day, Sterling. Not that I'm not verbose myself. That's one of the things I'm working out on this trip--how to maximize my word usage. I want to go back to my original plan of posting in pop culture phrases (see first entry of this blog) but I need to rework the idea. The important thing, however, is to never forget that first and foremost words are visual objects--elements of design.

With that in mind (and it won't be for much longer, as I take another hit and stretch out on my Days Inn balcony with a view of the highway), I'm into the look of both your graphics, Sterling. While rough, they're clean and concise, which is what you want. I'm even into the mistake you made. You want the name of your album to be Favorite Color--lieblings farbe is favorite color -- as in meine lieblings farbe ist orange. Liebling Farbe--which is what you wrote-- is like liebling ( Lovely) and Farbe (a last name, like Smith or Walton). So is farber or farba. It happens to mean color, just like Goldstein means gold stone. Your "Liebling Farbe" is like "Lovely Smith" as a title, and not "Favorite Color".

Get it? It's not what you intended, but I like it nevertheless. Actually, maybe it even works better. And it's so typical of you, Sterling. You've turned over this new leaf and you're trying so hard to be honest--to be for real, that you end up saying something you don't mean. You're all about the importance of being earnest in a century of fakers. I've still got your back, don't you worry. I remember back when we were kids, and you kept practicing wheelies on that fly BMX of yours. My parents wouldn't get me a "boys" bike, but that's another story. I remember the instant when you broke your knee--grimacing face, exposed rows of teeth. I still wonder--where does the blood go when it's spread across the sidewalk? It's washed away...washed clean gone, like all those cream soda and Wise potatoe chip afternoons when we sat barefoot on the couch after school and picked out how we would look from MTV, and picked off our scabs and drew guitars with impossibly long necks--the shape of the inground pool we'd share as rock stars.

Later.
--t

by sterling

Trying to pass the time looking like I'm busy after coming in way late this morning. Wish I could say I was way-laid. My ears are stuffed so my internal alarm didn't go off. I feel like that time in Birmingham, England, the morning after the Carl Craig show when I took 6 hits and crawled into the speaker. There's a constant high pitch ringing in my left ear, like a monitor on the fritz. I'm so clogged up that I had to think about whether the ear was the left or the right--the correct signifier was overcome by what I'm certain is a brown red (or monkey shit orange) wad of illness festering in the inner ear canal like runny egg.

I found a new site to amuse myself with, and boy do I mean amuse. When she talked about the worms fucking I got hot--and to top it off she wondered if she was the only woman who orgasms in her sleep. Shit, baby--I will tonight! I love it when women admit to something sexual in an offhanded way. Like that time in college when a girl I had a crush on admitted that everytime she studied in the library she got so hopped on coffee and anxiety that she had no choice but to jack off in the bathroom. Our library was very Frank Lloyd Wright--I remember putting my hand on the stone wall after she told me and feeling how cold it was. I could have ripped her clothes off right there.

But this one...I got wet right through to my burgundy J.Crew pants. Trousers, as Fitz would call them. Since we're talking about links...

Her name is Rebecca. So Protestant and straight hair and New England; it makes me want to say the Pledge of Allegiance. Almost.

Fairplay

by TRUE

Overheard in a diner in Fairplay, Colorado, where all the ditches have names:

"What are you going to do? Rob a 7-11 late at night with bright lights and your face on video? Or are you going to pick out a faggot with another faggot in the park after it closed, sucking each other's dicks in a new pick-up with a nice stereo system, who aren't even going to call the police because they're afraid somone will find out they're gay...Now tell me, which are you going to choose?"

OK, Fitz, point taken--the NaNoWriMo link from hell is gone. I got confused and for some reason thought it was the official site of NaNoWriMo, which is NaNoWriMo.org, in case anyone's interested. I was going to post the correct URL on the links list, but had a change of heart. If my personal code of decorum prohibits me from posting a site as masochistic as crack recovery.com, where alongside the typical quasi-religious recovering addict testimonials are flashing pictures of fat rails and pure white rock, then I should also draw the line at an organization encouraging well meaning souls to write an entire 175 page novel in one month. The site lists coping mechanisms and helpful links to fellow participants, which is a little like offering a bandaid to someone you just stabbed in the eye with a rusty nail.

Sterling, I didn't read your post from today, although the title intrigues me...I'm on batteries out here and it was too fucking long...

by fitzcarraldo

Neither. What happened to the ballerina bending over a la Degas? My current modelling rate is $50 an hour plus beer and chips, just like a Linkin Park roadie. (God, I'm hot for those lads.) And don't worry about the tutu--I've got it covered. (Maybe "covered" isn't the right word...)

Lasiviously Yours,

Fitz

Contact High

by sterling

Spent the evening working on the album art for Liebling Farbe and editing my Interview with a Vampire movie. I redid the fadeout so that it’s shorter, and I took out about a minute in the beginning, where Tom Cruise is swishing around aimlessly with yellow eyes. Now it’s about six minutes of Tom and Brad writhing on the ground, commencing with Tom sucking loudly on Brad’s neck. The scene is looped for 70 minutes, the contrast on the last 30 becoming less and less, until the picture is completely washed out. I still don’t have a name for it. Snake thinks it should be called Interview with a Beefcake, but I’m not so sure. I’m not showing it at his place on 9th and A anymore. He had enough of the hipsters coming in twos, gawking at the bunk bed where he and his wife slept on top and his son, N. on the bottom. Snake had rigged it so N.’s bunk folded into a couch, which is where the patrons sat to watch the flick. I thought that reclining beneath that top bunk provided a nice, homey vibe—like being in a well built clubhouse. Everything was very clean and for two bucks there was the added bonus of getting a contact high off of the spliffs Snake chain-smoked. He never offered and glared at anyone presumptuous enough to ask. After a week and a half, enough was enough and the run was over. Besides, Snake played the first showing of the movie at 3PM and N., his son, was getting sick of missing Pokemon everyday. This, I completely understood. I’m at my fucking day job so I miss Pokemon everyday and it pisses me off. We could have changed it to a later time but it seemed more trouble than it was worth to photocopy a new stack of adverts. I hate “corrections” flyers.

On Sunday I cleaned out Snake’s basement studio as part of our agreement for letting me use his pad. He’s got the single room storefront apartment upstairs and his tiny silkscreen studio in the basement. In order to get to the studio, you’ve got to go out of the store and open the door to the apartment building lobby. Once in, there’s a door immediately on the right with a No Trespassing sign affixed to it with dirty tape that leads to the basement. After braving the rickety stairs, you enter a complete disaster zone of silk-screens of Mao and the American flag with dollar bills instead of stars, ink cans, newspapers, newsprint rolls, plastic orange hangers, T-shirts, rags, cat litter, cigarette and spliff butts, cardboard coffee cups, rags, magazines, TriBecca T-shirt supplier order slips, and cardboard boxes stacked in haphazard pyramids. The windows looking out on the gutter are covered in a grime so yellow it’s green and the air smells like cat piss—a double whammy of claustrophobia inducers. I’d been down there before, but only for a few minutes—in the winter. Sunday was unseasonably warm, so by mid afternoon the stink rose up in fat waves. I hobbled around with the collar of my Triple 5 Soul T-shirt stretched over my face, flattening the cardboard boxes into stacks of two dimensional squares that I then tied together with a piece of twine. I emptied them of the balled up newspaper pages covered in flaking old ink (getting a twist in my stomach as I glanced over the pre-9/11 headline fluff) and dumped whatever debris had sunk to the bottom into a Hefty bag. There were old takeout containers from the BBQ Ribs place on 1st, as well as pretzel thin mouse bones that the cat had long since picked clean. Hardened balls of gray mouse hair were all over the floor, rolling around like tumbleweed in a ramshackle desert town.

Judging by the appearance of his workspace, you might think that Snake was completely haphazard in his T-shirt making, but it was actually just the opposite. From the creation of a collage of images to be photocopied in B&W to the size of the silkscreen processed at Pearl Paint to the consistency of the ink spread across the screen—everything was done according to the highest levels of exactitude. He sold specific orders wholesale, to places like Trash and Vaudeville. When he did a job he was all business, stroking the ink again and again across the screen, dub blasting on the boombox, not a movement wasted. Watching him I got the feeling that he had been in the service—he had that non-emotional grim determination thing going on that I associated with military types—but I never asked. He’d been making T-shirts since ’84, when he and a friend decided to sell T-shirts spray painted with the American flag on the Fourth of July. “We were on acid,” he said, in between tokes, “It was a punk thing to do, but it made money so I figured what the hell. I did that flag thing on shirts before anyone else, now look around.”

I stood with my filthy hands on my hips beneath the sidewalk opening. If Snake had a bodega or a proper shop, this is where his stock would be delivered. Instead it was little more than a ventilation hole. Shadows of people walking by passed over me; from my vantage point, I couldn’t make out more than a swinging hand or the hem of a dress. Their voices came through loud, but not clear—the words were muddled, as though they were in another room. Suddenly I wanted desperately to know what they were saying—moreover what was behind it, the thoughts and the feeling. Perhaps the cat piss and paint fumes were getting to me. I’d always read about sliding along the surface of things—everyone from Bret Easton Ellis, Andy Warhol and Roland Barthe. Inauthentic being—getting lost in the everydayness of the world—Heidegger. I knew what it meant, but until that moment I’d never actually felt the world as a diamond dusted glossy page. There were no thought canyons to travel to the bottom of—no unseen force behind the pasteboard mask. All was flat; all was already present. The most we could hope for was a momentary interruption, like a flicker in a fluorescent light that is otherwise never shut off. The darkness can’t be willed—in the same way that you can’t go on a trip out west to “discover yourself”. Experience happens when you don’t plan for it. Taking drugs makes you believe that you can make it happen, but that was the thing about taking drugs. They formed a layer of wax around my brain and then carved paths through it, so there was the illusion of depth—the illusion of self discovery. But when it was all over, all I did was come back to where I started.

So which Liebling Farbe do you like?



...More Stupidity Regarding Links...

by fitzcarraldo

I was sitting here, updating the Access database of my outfit combos--I have 18 core outfits for the season, which are configured by Access for a "random" accessory to be added out of a secondary data source. I needed to do some reconfiguring, namely, switching the setting to "Early Fall" as opposed to "Early Winter", as NYC is currently blanketed in this TB ward warm humidity that has every other person hacking out their lungs on the street. At any rate, the point of this was that I was checking current borough temps for Brooklyn when suddenly a series of chimes were emitted from my speakers followed by a woman announcing, in French, that a Thalys train was about to come into Brussels Nord station. Or maybe it was leaving Brussels--I never know whether I'm coming or going in French. Then, a red Thalys train shot accross my screen, that glorious streamlined nose racing to the right side of my monitor, the rest of the cars half a blur just as they are in real life! And this is what you apologized for on Thursday, TRUE! ("Sorry About That Thalys Shit"--11/4/02). Sure it is a little sneaky the way the file is downloaded as soon as you step foot on the site but FUCK, it's terrific. My bewilderment over your Admin skills never ceases--you feel it necessary to warn folks about a nifty train animation but you let them proceed unhindered into the pedestrian hell of NaNoWriMo 2002. Personally, I'm sure there are more people out there who would like to know when the high speed Thalys trains are coming and going between Paris, Amsterdam and Brussels. Actually, it appears that at this point, it's only announcing the Brussels trains on mine, but I'm sure there's a setting that will fix that, nice and sweet.

For all those who believe strongly personal style does not end at the boot-up, outfit your machine with a high speed train today!

Switching gears completely, RIP Lida Araujo, AKA Eddie Araujo, age 17. She was a gorgeous transvestite who was beaten and strangled to death at a party in California when it was discovered that she "really" wasn't a woman. Now, The San Francisco Chronicle has a copy editing problem, in which they don't know whether to refer to her as a "he" or a "she". Check out the story on plastic.com. I hope everyone who refers to her as a he is aware of the fact that they have blood on their hands--that by denying her sexuality their thinking is no different from those hideous thugs. Please, give Lida the freedom of expression in death that she wasn't allowed in life.


by fitzcarraldo

Obviously your sojourn out west has relieved you of whatever few functional critical nodes you had left. NaNoWrimo 2002 is quite possibly one of the lamest sites I've had the unfortune to visit in quite some time. It's leading me to seriously reconsider adapting my former late 90s stance on the Internet--it good for porn, and little else. God, who is this drip John Asato and why is he deserving of our most sought after props?

Allow me to quote from the diligently executed, "About This Site" page:

"Topics range from writing, ethics in journalism, Macintosh computers, life (and death) as an artist, the entertainment industrial complex (aka Hollywood, the local cinema, et. al.) and the occasional ice hockey reference.
More often than not it is a repository for research, thoughts and ideas culled from daily internet searches that don't fit into any current screenplay project.

Viewers should expect a rude awakening every Monday morning and a casual wardrobe every Friday afternoon.

Also keep an eye out for Excerpts From A Reporter's Notebook, a crass attempt at stand-up comedy hyperlink style, the occasionally helpful Visitor's Guide To Hawaii and Unanswered Questions From My Childhood."

Boy, I really love that ironical, essay-lite Blogger style, where self-importance (he feels the need to supply us with a schedule of his posting) meets--and Mr. Asato puts it best--"a crass attempt at stand-up comedy hyperlink style". Hey Buttercups, maybe we should post some unanswered questions from our childhoods on this here site? Just the questions, mind you--not the answers.

If TRUE and I still spoke, I'd seriously inquire about her mental state. But we don't, so I'll continue making impatient implications, like a fisherman who keeps loading his hook with meatier and meatier worms, in the hopes of getting a bite.

Instead of NaNoWriMo Dorkfest 2002, let's send our handful of readers to somewhere spicy, like Viceland.com. Yes, I know that TRUE has beef with one of the skinny white boys on the editorial staff (the straight? one everyone was accusing of being a racist) but fuck it, if I had a guide to junior high like this, I might not have made the mistake of joining the Boy Scouts in a desperate attempt at making friends. I made it through 10% of one meeting, before one of my comrades decided to call me a fag and fling me down a hill, breaking the growth plate in my arm which is why it looks like I have forearm muscles that aren't actually there--and only in the right arm.

--fitz


by TRUE

FYI Angry White Girl is history. NaNoWrimo 2002 has taken its place on the props column. Those people are some masochistic motherfuckers. 175 pages--you've got to give it up.

by TRUE

Super-unique, super-deep designers need apply. If Blogger looks good, we look good. The site is a kind of packaging, just like your fucking car.

C'mon man, design something hot. For those of us with talent and drive, this blog biz will be happening.

So I'm on the road: headed Southwest. I've got my titanium laptop. The wind has a lick of the mountains to it. You can smell the rock.

While we sit back, dumb and happy in the blue-white glow of our Sony flat screens...

by fitzcarraldo



(link)

God help us all, every apathetic last one of us.

But it's Friday! So what the fuck, Dearies, I'm going to get wasted.

--fitz

I'm sorry about the Thalys shit

by TRUE

I want to apologize to anyone who linked to the original Thalys link, the target of which was "every second presses into the one before like train cars", posted on the Forth. I didn't realize that it would install that program onto your harddrive. I got one too. Ourvir, Suspendir, Quitter. Sorry. The link is different now--it's a TGV picture gallery. I think it's a Belgian site. Actually I just checked and it might have fallen off. Fuck it.

I'll tell you though, it's nice to think of trains. Especially now, that I'm going travelling. My head's full of travelling songs. Sterling stole my Magnetic Fields, Charm of the Highway Strip. We've got that in common--a love for those blurred, yellow lines. Baby, I was born on a train.

I can see you now, with your pommade-thick, bleached hair and leather jacket. Kind of like Kathy Acker. But with those Yankees batting gloves and the beat-up orange Beemer. Blasting Serge Gainsbourg out of the suped-up speakers. Back in the day, but not too far back. You were badass, you were scary to be around. Sterling Fassbinder used to like to drive.




The point of all this nostalgia is to let you know that I'm hitting the road. Minnesota's over. But I'm not ready to go back to Brooklyn. I want to see some different things. I'm also super out of it. I feel like my brain has been washed in cold water and hung out to dry on a taut, fiberous line. Truth be told I need to regain my senses. I didn't drink when I was around Will. He never said I couldn't, but as I was talking his ear off about how it was such a problem, it seemed that getting blasted would be in poor taste. I wanted him to think that I had a problem but not a REAL problem, like I couldn't keep composure without at least some late night brandy to take the edge off. Instead I worked on convincing myself that I'm too physically ill to risk getting drunk. My stomach's in ribbons and my lungs feel full of cheese. I decided that I have to pull it together before I go back home.

As I didn't tell Will about this site I guess it's alright if I point out that he's covering the financial details of my trip. Nothing he couldn't afford. Willingly or unwillingly (no pun intended.)

But I feel too fucked up too talk about him right now. I miss him like crazy and it's only been a couple of hours. He's working late and won't even know I'm gone until past midnight. That's fine. You know--it doesn't concern me, not a bit. This is how I am, by tomorrow I will have forgotten all about him.

"You're my friend," I told him, looking straight in his eyes.



It doesn't concern me. It doesn't concern me.



C'mon, Sterling, you know how it goes. I see what you say--and I say it better.

RELAX, Don't Do It

by sterling

Sitting Here wishing on a cement floor--just wishing that I had just something you wore. I'd put it on, when I got lonely...will you take off your dress and send it to me?

The first time I heard RUN DMC was in 3rd grade, the year before my parents put me in Timothy. I was pencil fighting with the boys--Yorkie, Montell and Nick (the dick, who would later be decapitated in a high speed car crash) in the back of the art room, banging the hell out of those yellow painted Number twos. They either had red or blue aluminum rims around the bottom of their wobbily erasers. We were allowed to listen to a wide gray boom box and draw the occasional tag or boobie drawing across an unrolled sheath of newsprint. As long as we kept occupied and stayed out of trouble.

I was like one of the guys. On the periphery with my rock star haircut. Boy rockstar, not girl rockstar, a sometimes subtle but always definitive difference. I was to be tolerated as a hanger-on, the story of my life. At least so far.

Nick, Yorkie and Montell wore simultaneously better but worse clothes than I did. They had hand me down v-neck sweaters and striped polos. The colors always meticulously matched, those of the pants with those of the tops, so that it looked like a complete outfit even if it wasn't. Yorkie had an entire wardrobe of T-shirts, sweatshirts and windbreakers with his tag airbrushed across it: the NYC skyline with his name beneath in baroquely swirling, red, yellow and green font.

All three of them alternated between loafers and hi-tops. The brand of choice was Addidas with brightly colored fat laces, stretching loosely across the fully exposed white tongue. The shoes weren't tied at all, they were basically slippers. Making someone try to run in them almost always had a comical effect, as was proven by several Phys. Ed. teachers. Occasionally the laces would be interwoven--perhaps forming a pattern like a checkerboard. From here it was a half step to taking the laces out of the shoes altogether.

We listened to "Roxane, Roxane" and Run DMC. Maybe some LL Cool J. I remember that his hat reminded me of the guy on Fat Albert. The guy who is only eyes.

We practiced what is now thought of as vogueing. It took forever, but I finally got my shoulder to lock. Then my parents took me out of school.

The following spring I cut my fingers off. Tellingly, this also took place in an elementary school art room.

What are you trying to prove, TRUE?


by TRUE

Damn, that DJ made my day...


I do miss you, Fitzcarraldo...

by TRUE

You're always there to point out every last thing. You don't miss a goddamn second. It's because you're so still, like a tortoise on a rock. Meanwhile for me it's a blur--every second presses into the one before like train cars shooting around the bend.

"Where can I see some of your writing?" Will demands. We're standing beside the couch. I have my hand on the pillows.

"I don't know," I answer.

"What does that mean? Where are they?"

"I can't tell you."

I'm not ready for him to know about this site. Or about the products and the philosophies. I came out here to think, I tell myself. But time is passing and like the end of the movie fade-out, soon I have to make my way back to New York.

Will wants to know about it, he wants to solve the problem--make it come true regardless of the fact that I have to be somewhere. Somehow this is a failing on his part. I try and impress upon him that the difference is, for the most part, geographical.

"It's about what goes on there. It's the stage. The frontlines. You guys are safe out here." He looked at me blankly. I went on,

"You just wouldn't understand what I'm making there."

by fitzcarraldo

OK, so I’m not all together certain what I should do with the abundance of vampire imagery. The two of you are on about something. Sterling just finished a short film. It consists of a scene out of Interview with a Vampire in which Tom Cruise attacks the neck of a pony tailed Brad Pitt, who vigorously struggles against him. He looks like a beetle pierced beneath Tom Cruise’s long, darkly clad body. Red velvet blood flows heavily down Brad Pitt’s neck like cum; his honeydew skin turns pale. During a prolonged close-up, just as we get used to the idea that Brad Pitt’s been killed, (by Tom Cruise, no less) his eyes suddenly open, wide and staring. The pupils are strange—they look like the clouded color centers of marbles. The place where there should be the flash-bulb flash of “I’m here” is dead as buttons. We’re made to understand that after he was ravished in this highly sexual way, he is now a vampire himself. The devoured becomes the devourer. Then the video flickers and after half a second, starts again from the beginning. The scene is played over and over on a loop, filling up a little over an hour with its grunts and sucking sounds.

Sterling set the video up in Snake’s storefront apartment, on 9th by Avenue A—right by Café Pick Me-Up with its view of the park. She gave you a key to go inside, along with one or two strangers who were going to watch it with you, pushing past the racks of Handmade Silkscreen T-shirts cluttering the doorway. Inside the window there’s a life-size Yoda doll, examples of Silkscreen peace signs and marijuana leaves, a snake tank with a large snake in it. Through the door it’s a tiny apartment, with everything stacked high against the walls. You sit down on a blue futon in front of a large Sony TV, which is itself on a wooden shelf lined with videos, games and oversized books. Simpsons and South Park, Pokemon and…

The same scene, over and over—until you think you know every bit of it but still you’re surprised by something—a rustling, a muscle jerk, a tone in the score. You can’t help wondering, however—who does she think she is, Andy Warhol? Interview instead of Empire?

So the Vampire Thing: well fine, guys, leave me out of a motif—just because you know I make the best bloodsucker. David LaChappelle/Kurt Cobain, who’s wife made it all the way to Hollywood with his pound of flesh. It’s like the story of the murderer who strangled his fiancé, stuck her body in the car and headed out to Vegas to get married. The police started to close in and he panicked. He cut off her finger with the engagement ring on it and mailed it to her parents before turning himself in.

Sterling, are you playing the groom and TRUE’s playing the bride? Or is it the other way around? Who’s dead and who’s alive? (Christina Aguilera is asking the same question.)

More later, my Sweets.






by TRUE

It’s a call, a necessity. The blind blur of hummingbird wings. We spent the weekend watching the flower head fill with syrup. We got restless, overripe—we tried to play board games but couldn’t concentrate. We were tired from nothing, happen-stance. The subject was the pole we danced around, delicately, on sweet insect feet, the ends of which are sharp—like fire pokers, blowing-up into dust,
--that dried-out wood with just one thrust.

You’ve got to just let your body move to the music, let your body go with the flow.

Everything works like this: an excretion, followed by a yearning until the filling-up.

“I ended up working with red markers a lot, ‘cause hey, if there’s gonna be bleeding…”

“It said it was “bleedproof’; it wasn’t.”

One of the reasons I like Angry White Girl is the links. Like this one, Rate My Kitten.

Kurt Cobain didn’t have David LaChappelle.

Now you’ve got break dancing moves in rock n’ roll videos. The sneakers are retro. It might also feature one or more people wearing ska style bowling/work shirts, the kind with name badges. Others wear T-shirts with ironical phrases spray painted across the chest. “HEAVY METAL GHETTO”, “KILL ELECTROCLASH” AND “NIKE WHORE”. Some have thick hair cut choppily, others shiny crewcuts—still others insist on sporting artistically gelled bangs and spikes. No matter what, however, they are all wearing the same “dirty” denim jeans.

FM Nation, a show on MTV, features real kids as real stars.

8 Mile features a real star as a real kid.

Infinite bandwidth=infinite blog.

by TRUE

Notice how none of us wrote anything on Halloween. That’s because we’re all fucking vampires. Fitzcarraldo, Sterling Fassbinder and myself, TRUEBOY. The “T” stands for nice.

I’m dreaming of a city. It is my own invention. I put the wheels in motion; to make THE BIG DECISION.

I feel a weight upon me—shadows on my veins—even way the fuck out here. On Hallween evening the sky looked like it was colored with plain white chalk. I was out in the front yard having a smoke. Will won’t tolerate cigarette smoke and I don’t blame him. Everything is neat and stacked and polished in a nice, not overly fastidious way. It’s comfortable. His L.L. Bean wearing, horn-rimmed glasses employees eye me cautiously as they move between the kitchen and their offices. They seem to know that I could potentially destroy everything; ruin this place with stenches both real and imaginary. I don’t give a shit about them, but Will is the master and I am his guest. The one that was unplanned and unannounced, who over a week ago literally just showed up on his doorstep. So I smoke “all the way” outside. I won’t light up on one of the many terraces, even when no one else is around. It’s gotten so that I like my little trips across the front yard—my feet aren’t used to walking, so they seem to bounce and float over the hard cold lumps of soil. I can smell the grass that grows in huddled clumps on the front lawn. It’s making its last sharp exhalation before entering a frozen slumber. The last stand: I stare at the twisted tops of the thick, poking stalks.

As the sun sinks everything turns black and white—except for the shiny cars spitting exhaust as they turned the corner. In the backseats are kids in homemade costumes. People are artsy-craftsy out here. Large chested, smiling Nordic types abound—baking and cooking and pouring milk. It’s just like everyone always says it is, only tougher. Sewing and cooking don’t make you homey and nice. When I think about it, what I’d really like would be to live in a landscape just like this, but without any people around. Just this house and nothing else. Maybe the pristine white columns of the Art Institute down the street. Icould set up a studio there. A factory with turntables in the middle. At 9 o'clock a line of long white busses would pull up and drop all the people off to work for me until 5. I fed them lunch of course--benevolent dictator.

I can hear Fitzcarraldo in my head: “How could you want to be completely alone? Out in the wilderness? No services and no amenities! Jesus. Where it’s seriously out there you don’t have cappuccinos or draft beer. What would you do without…”

…breakfast weed. Redthread indeed…

The used bookstore in Minneapolis...

by TRUE

Most of what I've bought and subsequently "read" (my attention span's too fucked not to skim long paragraphs) was fiction—old favorites I’d lost along the way like Dostoevsky’s The Possessed , Will Self’s Grey Area and Denis Johnson’s Jesus’ Son. I also read a lot of specialty magazines—music, art, skateboarding, anything with a strong internal logic. I told Will that I was becoming obsessed with figuring out the way things work—I have this strange new desire to learn how to read architectural diagrams. “But then again, not really,” I told him over California rolls. “I don’t want to really go through the trouble of learning that shit.” All the same, I realize I’ve wasted a great deal of time studying ephemeral notions based on scattered opinions. I've picked up things here and there without actually concentrating on any of them in particular. Anything that is truly systematic takes years to master. There’s an overpowering depth to the layers of technicality found on the average, professional blueprint.

In the weeks after 9/11 I was struck dumb by the beauty of things that were manmade. I craved intricacy: I wore expensive lingerie under my baggy jeans, so that every time I squatted to take a piss I could lose myself in the meticulousness of the pornographic detail.












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